Monsoon Shootout, which screened in competition at this year’s Sydney Film Festival, is the first feature film from Indian director Amit Kumar. A dark, introspective crime thriller, it takes as its subject the moral dilemma faced by a young policeman working in Mumbai’s slums, where gangland thugs face off against cops who don’t like doing paperwork.… (read more)

My first film at this year’s Sydney Film Festival was Outrage Beyond, the great Japanese director Takeshi Kitano’s follow-up to 2010′s yakuza film Outrage. Set in the same universe of gangsters in pinstripes, black sedans and sudden violence, it picks up the story some years after the events of the first film.… (read more)

South Korean director Jang Hoon followed up his 2010 hit Secret Reunion (a fun spy-vs-spy thriller that sold 5.5 million tickets, coming in second for that year’s box office) with this, his third feature: a gigantic war film set during the 1953 ceasefire at the end of the Korean War.

Kang Eun-pyo (Shin Ha-kyun, who’s donned warpaint before in JSA and Welcome to Dongmakgol) and Kim Soo-hyeok (Go Soo) were soldiers together early in the war. Outgunned, they found … (read more)

Regular visitors to our website would know that we just love Takashi Miike. And why wouldn’t you? From his early crazy films like Ichi the Killer and Gozu, to commercial films like Crows Zero and Ninja Kids!!!, to the more recent critically acclaimed films like 13 Assassins and Hara-Kiri: Death of a Samurai, he has just proven himself to be one of the most prolific, imaginative and skillful directors working in the world today. Just how many … (read more)

In just under twelve months, I’ve had the good fortune to have watched three superb new release Asian crime movies. In my opinion, they mark a turning point in their respective film cultures. The films are: from India, Gangs of Wasseypur, a very un-Bollywood-like crime saga which chronicles a century long blood feud; the Chinese feature Lethal Hostage from wannabe auteur Cheng Er; and Johnnie To’s first mainland produced and financed cop drama, Drug War. More on the … (read more)

An entertaining, family-friendly mishmash of martial arts picture and Indiana Jones-style treasure hunt, Wu Dang shows off some serious talent both in front of and behind the camera, coupled with a stunning setting way up amongst the Taoist temples in the Wudang Mountains.

Vincent Zhao returns to the role of leading man after 2010′s True Legend, which was his first cinema appearance in quite some time, after spending most of the decade prior in television in Hong Kong and … (read more)