Hardly ever do the diverse elements of film production blend so seamlessly and appeal to such a wide audience as they do in Starry Starry Night, a recent Taiwan-China co-production. Based on a childrens’ picture book by world-famous Taiwanese artist Jimmy Liao and directed by Taiwan’s Tom Lin, this is one of the best films of the year.

“Coming of age” movies is a sub-genre in most film cultures, mainly because the often painful and confusing time between childhood … (read more)

I almost wasn’t going to review this film – what I have to say about it is hardly the kind of thing that is going to make you want to see it (at least, that’s what I’m assuming). But then again, I thought, in the interests of full disclosure, why not talk about it? After all, one man’s trash is another man’s treasure, right? As so many of the reviews around seem to attest.

I wouldn’t go so far as … (read more)

The blockbuster horror movie, much like the blockbuster action movie, is a genre from which you can, and most certainly should, expect certain things. And, yes that does mean taking the good (things lurking around in the dark, people dying horribly and spectacular man-monster showdowns preferably involving explosions and/or heavy machinery) with the bad (contrived plot devices, stereotyped characters, average dialogue and predictable developments). When you know what you’re in for and the good balances out the bad, well, surely … (read more)

Trishna opens nationwide on May 10, 2012 — check your local cinema for details.

Trishna is a contemporary adaptation of Thomas Hardy’s novel Tess of the d’Urbervilles from English director Michael Winterbottom, with quite a change of scenery. It transplants the story to India, swapping industrial England for rural Rajasthan and urban Mumbai as India modernises.

Freida Pinto (who made her film debut in Danny Boyle’s Slumdog Millionaire) plays Trishna, a young woman living in with her family in … (read more)

Sometimes I wonder if I read film titles too literally. Take Inseparable by Chinese-American director Dayyan Eng (Waiting Alone, Bus 44) for example. Who is inseparable? What is? Is Eng talking about the couple in the film, or the main character and his new and slightly loopy friend? Or maybe he means to imply that the main character is inseparable from the experiences that make him human, or that all of us are inseparable from the systems within … (read more)

I only had a vague understanding of what I could expect with this film. Anyone in any way familiar with Ryuhei Kitamura and his unofficial muse Tak Sakaguchi should at least have an inkling of what they’re in for. Or, conversely, if you’re familiar with the cult films coming out of Nikkatsu’s production company Sushi Typhoon (responsible for such gems as Alien vs Ninja and Mutant Girls Squad), again, there should have been no surprise. In fact, what ultimately … (read more)

I guess I’m terminally optimistic. I expect an action movie to not be that hard to understand. I mean, there’s a basic formula, right? You need a good guy, and a bad guy, and you need something for them to fight over. The good guy needs to be the hero (technically) so usually it’s a case of the good guy trying to stop the bad guy from doing bad things, whether that be on a personal scale (like Liam Neeson … (read more)