‘BIF! KA-POW! CRASH!’
This is the comic book aesthetic viewed so fondly in retrospectives of those formative, younger years. Colourful garb and improbable science dominated those moments in the school yard in between those regularly scheduled beatings from the schoolyard bullies.
Such sentimental attachment brings a welling of emotion from within whenever there is a cinematic realisation of scenes previously locked in poses by the constraints of paper and ink — even in adaptations of source material that is otherwise … (read more)
Has anyone noticed leading actresses in Zhang Yi Mou’s films have been getting younger and younger?!
OK, small digression — let’s get back to Happy Times. When I think back to Zhang Yi Mou films, the word that I invariably end up using to describe his work is “intense” — the experience for the audience, the film itself, the landscape, the music — unforgettable. His older films had a lot of urgency, tension, you could feel the blood, sweat … (read more)