Some movies opt for a mysterious title to incite audience interest, while some movies are more up front. Assassination is pretty up front. Yet there’s so much more to it than that one noun bluntly seems to state.
Director Choi Dong-hoon returns with another big-budget rollercoaster of a film, sharing many faces with his last feature The Thieves. Also similar to his previous hit is the basic structure of Assassination, with a large cast maneuvering their way to … (read more)
One of the most enjoyable times I spent in the cinema last year was watching the big-budget, star-studded, South Korean caper flick, The Thieves — where the energy, humour and all-round film-making smarts were a joy to experience.
Sold nearly everywhere as an Asian version of Hollywood’s Oceans franchise – well, that’s called marketing. As I saw it, The Thieves was a surprisingly effective counterpoint to the lethargic, middle-aged preening of director Soderbergh and his precious stars.