Project A is a highlight of Jackie Chan’s filmography, and the movie I use to introduce those unfamiliar with Hong Kong cinema to the many and varied delights it delivers. However, Project A: Part II is my favourite Jackie Chan movie. It is perhaps one of the purest displays of Jackie’s talent for creating intricate action and comedy scenes, displayed so clearly that the skill behind their construction is almost invisible.
As if as a reminder of the high bar … (read more)
According to his autobiography, Chan first received the nickname “Jackie” at a job on a Canberra construction site while visiting his parents, who worked at the US embassy. Although the construction site fight is an action movie staple — along with the warehouse or factory fight — it seems fitting that this Australian set film’s best action scene take place in one.
The original title positions this as the fourth in Jackie’s Police Story series, but apart from Stanley Tong returning as director after Police Story 3: Supercop and Bill Tung appearing in a few brief scenes as Jackie’s senior in the Hong Kong police, there is no connection to the previous movies. This is surely deliberate, allowing Jackie’s first American release post Rumble in the Bronx to build on the momentum begun by that film, without being billed as the fourth … (read more)
As if we needed confirmation that Jackie Chan has been drinking Beijing’s Kool-Aid, the one-two punch of his recent remarks in the Hong Kong media and the ghastly and cynical CZ12 should put any queries to rest. Right before the film was released, Chan started shooting his mouth off about how Hongkongers complain too much and about how they’re just too quick to exercise their right to free speech and protest. He suggested the government look at putting some kind … (read more)
Our first Chinese film release in Australian cinemas this year is Benny Chan’s Shaolin, a big-budget action film packed full of stars and showcasing Shaolin kungfu and philosophy with an official seal of approval from the Shaolin Temple itself.
Straight off the back of his starring role in Detective Dee, Andy Lau stars as warlord Hao Jie, a calculating general who delights in ravaging across the countryside, capturing cities and amassing a serious retirement nest-egg. His most recent … (read more)
Jackie Chan has been making forays into more dramatic acting in the last few years — there were early attempts like Crime Story and Thunderbolt, and in the last few years we’ve had New Police Story and The Myth as well. But these have still been identifiably Jackie Chan movies — grueling stunts, inventive high-impact fight choreography, Jackie front-and-centre as the hero.
I didn’t think it very likely that we’d get one of those from director Derek Yee, though. … (read more)
The Forbidden Kingdom attracted huge attention from the moment it was rumoured that the world’s two biggest names in martial arts cinema would be working together. The J & J Project, they whispered. Yuen Wo Ping’s choreographing, they typed. There were naysayers, too: It’s American, from Miramax, and from the director of… Stuart Little, of all things. The trailers looked OK, though, with a strong emphasis on the action sequences, and it had Jet Li in … (read more)
Well, we’re a little late with this one, and we’re terribly sorry — a new Jackie Chan film should be an event, exploding on to the screen with jawdropping stunts and inspired action choreography. With ceiling fans, clock towers and pachinko parlours. Instead, my copy of The Myth has sat on my shelf a while, looking sorrowfully at me while I passed it over in favour watching of Shaw Brothers classics.
But no more. I picked it up the other … (read more)