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The Mighty Peking Man (1975)

(from , dir: )

Well, well. My first real Shaw Brothers exploitation film. You can see the executives meeting to greenlight it: “Right, guys, let’s make a King Kong movie, but use the Connaught Centre, not the Empire State building. Using scale models and a guy in a big suit, like Godzilla. And some location shooting in India, with tigers and elephants. And a blonde wearing a square foot of animal skins, who swings through the trees on lianas. That’ll really sell tickets.”… (read more)

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All Men Are Brothers (1973)

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All Men Are Brothers is another huge Chang Cheh-directed production from Shaws when they were at the height of their powers, with just about all their action stars and four of their action choreographers (including my favourite, Lau Kar Leung). It picks up its story from the same source as The Water Margin and doesn’t go to much trouble introducing the characters… so you’re advised to watch The Water Margin first, so you know why David Chiang has his own … (read more)

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