Imagine, if you will, a movie where nothing much happens. Now, imagine being captivated by it. Now imagine going away feeling like you just witnessed some of the best, most wonderful cinema you’ve seen in a while. A long while. That feeling? That’s the Kore-eda effect.
Okay, fine, it’s not like Hirokazu Kore-eda is the only director who has the deftness and sensitivity to take the mundane and make it watchable without going over the edge into sentimentality and melodrama, … (read more)
Kore-eda is in my very humble opinion the most sensitive and humane filmmaker working in Japan today. His body of work is relatively small, but each film has been the product of a quiet and unassuming story-telling genius that rather than exploits people’s ugliness imbues them with the possibility of hope and redemption. He plumbs emotional depths in a way that exposes the human soul as achingly beautiful; his insight is both gentle and unflinching, and his deft, minimalist handling … (read more)