The first two chapters in this telling of the legend of Wong Fei Hung are bona fide classics, so the third has to aim its no-shadow kicks high. While it may not reach those heights, Once Upon in China 3 does a great job of carrying on the story and themes of international influence in China and the interplay between tradition and modernisation. It just goes about this in a different way, which while a little disappointing should still be … (read more)
Our first Chinese film release in Australian cinemas this year is Benny Chan’s Shaolin, a big-budget action film packed full of stars and showcasing Shaolin kungfu and philosophy with an official seal of approval from the Shaolin Temple itself.
Straight off the back of his starring role in Detective Dee, Andy Lau stars as warlord Hao Jie, a calculating general who delights in ravaging across the countryside, capturing cities and amassing a serious retirement nest-egg. His most recent … (read more)
In light of the Hong Kong box office success of Once Upon a Time in China (which was the 8th highest earner in 1991, making HK$29,672,278.00 over its 56 day run), it was only a matter of course before at least one sequel would get spawned. This being a Film Workshop baby, one could also justly expect the ante to be upped in the second work of what turned out to be a six movie series. The appointment of Yuen … (read more)
They say you can’t have it all and in Ming Dynasty China the eunuchs certainly didn’t! OK, I must apologise for that lapse in comedic judgement. But the ball is in my court. Oh, please make me stop. Anyway this lack of a certain, um, something may explain why they were mad for power and painted Evil Eyebrows on their noggins to give them that extra mad-as-a-cut-snake villain look. Certainly works here for Donnie Yen’s character!
Yen is part of … (read more)
Produced and released in 1995, The Blade is seen by many HK buffs and cineastes as Tsui Hark’s best film and, for a martial arts movie, is the antithesis of his earlier Once Upon a Time in China series. You won’t find do-gooding Wong Fei-Hongs or righteous no-shadow kicks — the realm of The Blade is a very unheroic one. The Blade is down and dirty, muddy and bloody, ultra-realistic action film-making. Initially, sold as a remake of Chang Cheh’s … (read more)