Call it a coming of age story if you want. The Peter Pan of ninjas can play all day and never take things too seriously. Until he has to. Call it a round-about revenge tale, or even a moral play. It is a little Shakespearean in its developments, and its style of humour (and a brilliant momentary break in the fourth wall) certainly does justice to the Bard. Or call it, perhaps most importantly, a serious Japanese contender for Guy … (read more)
I’ll be upfront with you; I’m not going to review Rurouni Kenshin: Kyoto Inferno and Rurouni Kenshin: The Legend Ends separately. Considering how close together their theatrical releases in Japan were, it could be argued they’re just one film with about a month long intermission (if you’re old enough to remember those). Also considering the cliff-hanger Kyoto Inferno ends on Empire Strikes Back style I’d also run a much bigger risk of spoiling far too many things if I … (read more)
Well that was a frivolous synopsis for a film that is anything but. Casshern in that form, and, indeed, from the look of the trailer, appears to be nothing more than a pretty, CGI filled actioner.
But although those elements are part and parcel of the flick, Casshern is primarily a long, bleak and bittersweet analysis of the futility of war and the eternal capacity of human beings for intolerance. No, really.
It’s a theme played out in a number … (read more)