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Y2K HK:

Hong Kong Movies in Australia in 2000

 


Enter the Dragon


Crouching Tiger
Hidden Dragon


Chinese New Year,
Box Hill, Feb 2000


Young & Dangerous 3


Made in Hong Kong


Running Out of Time


Dreamtrips


Nang Nak


Needing You


Faye Wong

Exit the Dragon... Enter the Snake!

The Dragon was a big year for me, with a trip to Hong Kong at last, and all manner of movies streaming before my happy eyeballs. My eyes were finally opened to the Pan Asian Vector - my initial disappointment at the lack of HK flix at Melbourne Film Festival was blown away by awesome fare from Japan, Korea and Thailand. Another highlight was meeting many fine 'virtual' people this year (aka Internet buddies) - a big shout out to Alison, Bey, Brent, Chris, CY, David, Juanita, Jude, Kari, Lucille, Miles, Nicole, Paul, Ryan, Stefan, Stephen, Tim and plenty of others who made my year rock. I loves youse all. Now that the year is closing, it brings with it the happy tang of the runaway success of Crouching Tiger Hidden Dragon - looks like the mainstream is finally waking up to what we've known for years. What took 'em so long?

I'm a Snake myself (that means by dint of zodiacal mathematics that your Heroic editor is turning one of the following ages this year: 12, 24, 36, 48, 60 or 72. Answers on a postcard). If you want to know what your Chinese symbol is, check here. Once you've got that, you can check here for your astrological predictions for 2001.
(Disclaimer: Heroic Cinema website and its associates are not responsible for any bad decisions concerning business, travel or romance in the year 2001 made as a result of reading bogus Internet horoscopes.)

So, what else rocked in the Year of the Dragon? Here's a stream of consciousness rundown, forgive any errors:

SBS had a bumper year, with premieres of Stephen Chow's Forbidden City Cop and From Beijing With Love, Tsui Hark's The Blade, Fruit Chan's Made in Hong Kong, Stanley Kwan's Hold You Tight, the first three of Andrew Lau's Young & Dangerous movies, and more. World Movies was quiet by comparison, with a few Michael Hui comedies (Front Page and Magic Touch), some art films (Kitchen and He and She), and not much more new. The JEDI satellite brought an unprecedented 8 channels of Chinese Entertainment to Australia.

Madman Entertainment kicked goals all year, starting out strong with the world's first video release of Andrew Lau's A Man Called Hero, and kicking on through Teddy Chan's Downtown Torpedoes, Benny Chan's Big Bullet, Clarence Ford's Cheap Killers, Jingle Ma's Hot War, Andrew Lau's The Duel, Wong Jing's The Conman and Johnnie To's mighty Running Out of Time. Chinatown Video finished up the Chow Yun Fat collection with Prison on Fire 2, Tiger on Beat and All About Ah Long, as well as chestnuts such as Chinese Ghost Story 3 and new offerings like Gordon Chan's Armageddon and Beast Cops.

There were good films to be seen at the Melbourne, Sydney and Brisbane Film Festivals - not much HK, but plenty of good Asian fare, such as Nowhere to Hide (Korea), Nang Nak (Thailand) and Audition (Japan). The best selection was to be found at the inaugural Sydney Asia Pacific Film Festival, which promises to be bigger and better in August 2001 (and hopefully might tour!). The Hong Kong Film Festival did not happen, alas, but the Eastern Connection II festival covered a few cities and offered interesting indie Asian cinema, including special guest Kal Ng screening his Dreamtrips. The Sydney Japanese Animation festival had a great program, including the long awaited Australian premiere of the sublime Princess Mononoke. Chris Doyle appeared at a few film festivals, and at the Mercury in Adelaide.

Perhaps the most significant development was the Silk Screen series of films, which took arthouse back from the French, with regular mainstream screenings of new Chinese and Japanese films - when you consider that the only two Asian films got a wide release in 1999, things are definitely improving, with five films shown across Australia this year. Not so good perhaps for the actual Chinese Cinemas in 2000 - the Australia Cinema in Sydney closed in July and does not look set to reopen (although films have been shown at Reading Market City, it ain't a double bill, and it ain't the same). The Harbour Cinema around the corner has not bought a new film since 1998 it seems. Only Melbourne's Chinatown Cinema seems to be still firing, boosted by screenings of Indian films. New HK films were shown regularly in mainstream cinemas in all capitals bar Brisbane, Darwin and Hobart. If you missed them, you didn't try hard enough.

So what was were my Top Ten 2000 films? Dammit, there are still a bunch I need to watch, but so far Johnnie To's Needing You is my favourite for the year - such floss! such fun! - and the other nine are Derek Chiu's Comeuppance (neat and unexpected poisoner plot), Jingle Ma's Tokyo Raiders (zingy action), Gordon Chan's Okinawa Rendezvous (a bunch of friends on summer holiday make a film about a bunch of friends on summer holiday), Ang Lee's Crouching Tiger Hidden Dragon (not strictly a HK film, but bite me, it rules), Andrew Lau's The Duel (less angst and more fun in the CGI swordsman style), Johnnie To & Wai Fa Fai's Help! (what were those boys on?), Wong Kar Wai's In the Mood For Love (a poem in light, with cello), To Where He Belongs (a fine triad piece) and Those Were the Days (Jordan Chan is still young and dangerous). But I reserve final call until I've worked my way through the rest of the recommends, such as Juliet in Love, A War Named Desire, Double Tap and many many more... Outside of Hong Kong, I adored The Road Home (China), Nang Nak (Thailand), Ring and Ring 2 (Japan), Princess Mononoke (Japan), Nowhere to Hide (Korea) and Shiri (Korea). Cinema highlight for the year was finally catching a Hong Kong film in Hong Kong - the 1:40am screening of Those Were the Days in Kowloon, with a packed house of Triad wannabe kidz.

Overall Hong Kong entertainment highlight though without doubt was the Faye Wong concert. Such sonic rapture, such glowstick magic. My expectations were high, but I couldn't conceive how divine her voice is live, nor how exciting the songs, nor the depth to which her fans love her. It was a wonderful night.

The site kicked on, with many more visitors: thanks. I couldn't have done it without the help of Andrea, Andrew, CY, David, Ian, Jamie, Jonathon, Paul, Penny, Pol, Trish, and many others: double thanks.

So that was the Dragon. Let's see what the Snake has for us!

 

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http://www.heroic-cinema.com

 

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