Author Archives: John Snadden

Hardly ever do the diverse elements of film production blend so seamlessly and appeal to such a wide audience as they do in Starry Starry Night, a recent Taiwan-China co-production. Based on a childrens’ picture book by world-famous Taiwanese artist Jimmy Liao and directed by Taiwan’s Tom Lin, this is one of the best films of the year.

“Coming of age” movies is a sub-genre in most film cultures, mainly because the often painful and confusing time between childhood … (read more)

This 2010 China-Hong Kong co-production finally makes it to Australia on DVD, which is surprising considering it was China’s highest grossing film for that year, a title it still holds despite tough opposition from the recent Christmas releases of Zhang Yimou’s wartime drama The Flowers of War and Tsui Hark’s 3D fest Flying Swords of Dragon Gate.

Let The Bullets Fly’s distribution history outside China was also worrying: it couldn’t find a distributor in Australia on its release … (read more)

Sometimes the overwhelming success of a particular genre film can have an unfortunate effect on the movies following it. I’m talking here about Crouching Tiger Hidden Dragon, which has become so popular and awarded since its release in 2000 that it’s now the gold standard for martial arts films. It has allowed lazy film publicists, uninformed film reviewers and the general public to label a new kung fu / martial arts film as simply being not as good, or … (read more)

With a very good trailer and well publicised production from China’s number one film-maker, Aftershock is the most eagerly awaited mainland release this year. It opens with the recreation of the Tangshan earthquake in North East China in 1976, when nearly a quarter of a million people died. Aftershock follows the lives of a family torn apart by this natural disaster.

Director Feng Xiaogang has made some of the best and most successful genre films of the past decade. His … (read more)

I didn’t think I would see a better Cantonese film this year than Soi Cheang’s Accident – then along came Johnnie To’s Vengeance, a remarkable crime drama which ultimately transcends the genre.

A Hong Kong / France co-production, Vengeance is set mainly in Macau and stars French actor/singer Johnny Hallyday. Initially, Alain Delon was to be the lead but he pulled out and was replaced by Hallyday.

The opening twenty minutes are superb and announce to the audience that … (read more)

When Cantonese director John Woo left Hong Kong for Hollywood in the mid-1990s, many people expected him to become one of the giants of world cinema. His American movies turned out to be, at best, problematic and his talent for combining strong human drama and rip-roaring action sequences was never fully realised. His most recent Hollywood film was Paycheck, I doubt in the history of American movies has a more apt title ever been given.

Two years ago, Woo … (read more)

At first sight this new British production has some real talent behind it. Bodyguard: A New Beginning also looks the goods with a screen bursting with saturated primary colours. It’s obvious the film-makers are more than familiar with the Hong Kong crime-action genre. And that’s the picture’s problem: it’s a movie knock-off – Bodyguard is slick and ultimately very empty.

It doesn’t break any new ground with its well worn tale of triad gangs fighting for control of Hong Kong’s … (read more)