- This week in cinemas: 'That Demon Within' (Hong Kong)
- GCFF 2014 on now!
- This week in cinemas: 'The Raid 2'
- Enchanting Shadows: The Films of the Shaw Brothers
- Giveaway: Tickets to see 'The Raid 2' (Closed)
- This week in cinemas: 'The Wind Rises' (Japan, anime)
- More King Hu screening in Canberra
- This week in cinemas: 'From Vegas to Macau' (Hong Kong)
- Giveaway: Tickets to see 'The Wind Rises' in cinemas! (closed)
- This week in cinemas: 'The Monkey King' (3D, China)
- Melbourne Cinémathèque: Opening Night 2014 is 'A Touch of Zen'
Reviews by Country
Category Archives: Cinema Screenings
It’s a psychologically fraught cop-vs-criminal number starring Daniel Wu and Nick Cheung — who’s just won best actor at the HK Film Awards for his role in Unbeatable, incidentally. This review from Maggie Lee at Variety suggests that it’s director Lam’s darkest work yet, which is definitely quite a call. (You don’t … (read more)
With the weather the way it’s been (warm and muggy when not raining) it’s not like you need an excuse to go to the beach, but if you do, the great Gold Coast Film Festival is one of the best. It kicks off tomorrow, and again the GCFF’s partnership with Supanova and their commitment to regional and cult film means that there’s some great Asian cinema to be had!
Alright, so everyone who reads Heroic Cinema regularly knows this one is due out soon; we’ve posted trailers, given away double passes…. but this week’s the week.
Indonesian martial arts film The Raid 2: Berandal (Indonesian for “Thug”, according to Wikipedia) arrives in Australian cinemas this Friday, March 28, and it looks like it’ll make a lot of action cinema fans sit up and take notice.
Directed by Gareth Evans, it’s his follow-up to low-budget locked-building actioner The Raid… (read more)
This week in Aussie cinemas we have the long-awaited new film from famed Japanese animator Hayao Miyazaki, The Wind Rises (風立ちぬ, Kaze Tachinu). The story follows an aircraft engineer in pre-war Japan, loosely based on Jiro Horikoshi, the designer of the Zero fighter plane used in WWII, and Miyazaki had said at one point that it would be his final film.
(I believe I’ve read somewhere that he’s since decided not to retire quite so soon — here’s hoping … (read more)
Hot on the heels of Melbourne Cinémathèque’s screening of King Hu’s classic A Touch of Zen comes three screenings of films by the great director in Canberra, at the National Film and Sound Archive’s Arc Cinema.
The films on display are:
Dragon Gate Inn on Sat 8 March: the original film, remade by Tsui Hark twice and one of the classics of Chinese action cinema.
A Touch of Zen… (read more) on Sun 9 March: unarguably King Hu’s most revered film, running
Opening tomorrow, Thursday 6 February, is the fourth installment (depending on how you count!) of Wong Jing’s God of Gamblers film series, starring Chow Yun-fat — the first time he’s returned to the character since 1994. (Chow fans are spoilt for choice right now, what with this film and The Monkey King in cinemas!)
Rounding out the cast are Nicholas Tse, Chapman To and Jing Tian, and it’s in cinemas in Sydney, Melbourne, Brisbane, Adelaide and Perth.
Here’s an absolute … (read more)
This week in Aussie cinemas we have a Chinese blockbuster: The Monkey King, a spectacular-looking adaptation of the origin story for everyone’s favourite literary primate, Sun Wukong. The character will be familiar to everyone who grew up watching the Japanese TV series Monkey! on Australian TV, or has encountered the source material (Journey To The West, one of China’s big four classical masterpieces) in any of its hundreds of different adaptations and transformations.
This film tells the … (read more)
Melbourne fans of Chinese cinema, listen up! The folks at ACMI have announced that King Hu’s 1971 classic A Touch of Zen will be the opening film in this season’s Cinémathèque, screening in glorious 35mm.
Zen is a hugely influential film, combining Hu’s mastery of the wuxia genre and typically beautiful cinematography with a sprawling three-hour-plus story and a healthy dose of symbolism. It’s had significant critical acclaim over the years, starting with a Technical Grand Prize at the 1975 … (read more)