- This week in cinemas: 'Z Storm' (Hong Kong)
- This week in cinemas: 'The Lunchbox' (India)
- This week in cinemas: 'The Breakup Guru' (China)
- JFF Encore, July
- This week in cinemas: 'Overheard 3' (Hong Kong)
- Asian Cinema at the Sydney Film Festival 2014
- This week in cinemas: 'Aberdeen' (Hong Kong)
- This week in cinemas: 'Iceman' (3D, China/Hong Kong)
- Kaiju Shakedown is back!
- This week in cinemas: 'Canopy' (Australia/Singapore)
- Interview: Director Arvin Chen on 'Will You Still Love Me Tomorrow?'
- This week in cinemas: 'That Demon Within' (Hong Kong)
Reviews by Country
By way of full disclosure: When Overheard 3 arrived in Australian cinemas and distributor Magnum Films were kind enough to send me a ticket for review, I was worried. I hadn’t seen the first two films, and this is generally a recipe for incomprehensibility as far as the third is concerned. I saw the first installment on iTunes as prep, and then discovered that I needn’t have worried: writer/director duo Alan Mak and Felix Chong have crafted a series of … (read more)
This year’s Sydney Film Festival has a track devoted to new films from China across a wide swathe of budgets, genres and styles, and Chinese director Peng Lei’s oddball portrait of the educated urban twenty-something, Dancing in the Room, just might be the cutest of them. It certainly looks to be the only one to include anything quite this adorable:
Huabian (played by Jiang Yuchen) is a young woman who moves to Beijing after completing … (read more)
Sequels, Prequels, Send-ups and Spin-offs: Director Wong Jing finds Chow Yun Fat a new tuxedo amongst his usual box of tricks.
The recent release of From Vegas to Macau harks back to Hong Kong’s gambling fad of the early 1990s. Wong Jing, director of the original God of Gamblers series, offers up a super-silly pastiche of recycled gags that should appeal to fans of classic Hong Kong gambling films. Unfortunately, this time Chow Yun Fat does not play suave gamesman … (read more)
Well, this one’s been a long time coming! News that Soi Cheang was to direct a giant, IMAX 3D adaptation of part of the classical novel Journey To The West with a major action star in the lead hit the Web in early 2010, and there’s apparently been a sales stand with a poster at HK Filmart every year since then.
Now, all is revealed! After a couple of years of delays, The Monkey King is here in cinemas in … (read more)
The night I saw Firestorm, I was surprised that there were no posters or advertising material on display in the theatre for this new big-budget Hong Kong film. And I was even more surprised to see at the main entrance of the Century City multiplex an over-sized poster for Feng Xiaogang’s new movie Personal Tailor – which has yet to be released! Two hours later, I had a much better understanding of why there was a lack of advertising for … (read more)
Jia Zhangke is almost bulletproof. He’s attained a status akin to Wong Kar-wai or Michael Haneke wherein critics fall all over themselves to fawn over the brilliance and daring of their Art and anyone who disagrees is a Hollywoodised philistine. What many people — writers, academics, occasionally filmgoers — forget is that movies are the Shakespeare of our time: mass entertainments that may have a deep message for those seeking it. The key there is “mass”, and if no one’s … (read more)
In just under twelve months, I’ve had the good fortune to have watched three superb new release Asian crime movies. In my opinion, they mark a turning point in their respective film cultures. The films are: from India, Gangs of Wasseypur, a very un-Bollywood-like crime saga which chronicles a century long blood feud; the Chinese feature Lethal Hostage from wannabe auteur Cheng Er; and Johnnie To’s first mainland produced and financed cop drama, Drug War. More on the … (read more)
An entertaining, family-friendly mishmash of martial arts picture and Indiana Jones-style treasure hunt, Wu Dang shows off some serious talent both in front of and behind the camera, coupled with a stunning setting way up amongst the Taoist temples in the Wudang Mountains.
Vincent Zhao returns to the role of leading man after 2010′s True Legend, which was his first cinema appearance in quite some time, after spending most of the decade prior in television in Hong Kong and … (read more)