Reviews by Country
I keep on coming back to one particular word when describing the 2014 mainland drama Dearest — and that word is unsettling. There’s also a subversive thread running through this movie which subtly but resolutely questions the ability of China’s government to comprehend and to act on very complicated legal and emotional issues. Dearest is about child-stealing and is based on a case which caught the public’s attention in 2009.
The film’s director, Peter Chan, is one of a small … (read more)
Sun Wukong returns to the big screen in The Monkey King 2, the follow-up film to director Cheang Pou-soi’s 2014 Monkey King feature film. Right on time for Chinese New Year in the year of the monkey, it’s exactly what you want in a New Year film: big, broad, comfortably familiar and filled with with ample amounts of comedy and spectacle.
Competing in the 2015 Stockholm International Film Festival’s Documentary section, Behemoth is a visually striking documentary about the negative effects that coal mining in rural Mongolia have on the environment, and the lives and health of the coal miners. Although the film strives to connect the dots between the causation of air pollution in big cities in China like Beijing that is in part due to unchecked industrial development, such as coal mining and the running of steelworks, it is … (read more)
I will admit to not having been in a big hurry to see this film, as I had recently watched Lost in Thailand, the second entry in this loosely-connected series. I can only describe that feature as being interminably long and totally unfunny — not good descriptions for a comedy. Also, I wasn’t a fan of mainland star and director Xu Zheng, but I do like Zhao Wei and her recent films have been so varied (Dearest, Hollywood … (read more)
Ten years ago in 2005, Hong Kong action film SPL arrived, suggesting a triumphant return to the sort of film that Hong Kong has always done better than pretty much any industry on the planet; beautifully cheoreographed and edited hard-action cinema, the sort that’s only possible when you have a cast of martial artists and an experienced crew that knows how to shoot them to maximum effect.
In the intro to my write up back then, I called it:
A … (read more)
After experiencing the boorish and juvenile jingoism of Wu Jing’s Wolf Warrior, I was looking forward to the new big budget HK movie, Helios… although I was a bit wary of the fact that its release date had been put back three times in the past six months. From directors Sunny Luk and Longman Leung (Cold War), Helios starts well but fades quickly.
The film opens with the theft of a South Korean manufactured nuclear dirty … (read more)
Coming Home is the latest Zhang Yimou-Gong Li screen collaboration, and it reminds me of their great films from the 1990s. In Coming Home Gong Li once again shows that she is one of the world’s most gifted actors.
Director Zhang Yimou’s recent film-making has kept him busy, but mainly in a workmanlike way. International hits such as the Grand Guignol of Curse of the Golden Flower and the arthouse-wuxia pics Hero and House of Flying Daggers have kept his … (read more)
Brotherhood of Blades is one of the best Chinese martial-arts films to have graced our cinema screens for quite some time. The movie boasts a volatile mix of quasi 17th century Chinese history, political paranoia and deadly palace conspiracies. With an individual emphasis on ornate film sets, power-crazed eunuchs, sadistic secret police and a trio of Ming Dynasty elite killers, there’s much here reminiscent of the best of the Shaw Brothers’ swordplay films.
The movie’s main focus is on the … (read more)