Reviews by Country
Donnie Yen returns to the big screen in Kung Fu Jungle, in the well-worn guise of a skilled martial artist brought low, doggedly chasing down a brilliant but broken adversary. Not that he’s been away for long; arguably the last big action star standing from Hong Kong’s golden years, he’s been working harder than ever, turning in a couple of huge films every year since the early 2000s, often as action choreographer as well.
In this film, director Teddy … (read more)
Given the recent public demonstrations in Hong Kong, the film Bends, which I actually saw almost a year ago at the 2013 Stockholm Film Festival, feels especially pertinent. But for those following the socio-political debates and news of Hong Kong, the issues being dealt with in this film go back for longer than that.
Sort of a Chinese version of Driving Miss Daisy, though not quite as chatty nor spanning decades, Bends is a quiet and unassuming film … (read more)
By way of full disclosure: When Overheard 3 arrived in Australian cinemas and distributor Magnum Films were kind enough to send me a ticket for review, I was worried. I hadn’t seen the first two films, and this is generally a recipe for incomprehensibility as far as the third is concerned. I saw the first installment on iTunes as prep, and then discovered that I needn’t have worried: writer/director duo Alan Mak and Felix Chong have crafted a series of … (read more)
Sequels, Prequels, Send-ups and Spin-offs: Director Wong Jing finds Chow Yun Fat a new tuxedo amongst his usual box of tricks.
The recent release of From Vegas to Macau harks back to Hong Kong’s gambling fad of the early 1990s. Wong Jing, director of the original God of Gamblers series, offers up a super-silly pastiche of recycled gags that should appeal to fans of classic Hong Kong gambling films. Unfortunately, this time Chow Yun Fat does not play suave gamesman … (read more)
Well, this one’s been a long time coming! News that Soi Cheang was to direct a giant, IMAX 3D adaptation of part of the classical novel Journey To The West with a major action star in the lead hit the Web in early 2010, and there’s apparently been a sales stand with a poster at HK Filmart every year since then.
Now, all is revealed! After a couple of years of delays, The Monkey King is here in cinemas in … (read more)
The night I saw Firestorm, I was surprised that there were no posters or advertising material on display in the theatre for this new big-budget Hong Kong film. And I was even more surprised to see at the main entrance of the Century City multiplex an over-sized poster for Feng Xiaogang’s new movie Personal Tailor – which has yet to be released! Two hours later, I had a much better understanding of why there was a lack of advertising for … (read more)
From the outset, Cold War is an ambitious effort. Its big budget execution sets a bar that the narrative tries – and in some respects fails – to achieve with its high-scale intrigue and cast of dozens. For a non-Chinese speaking audience it’s not the easiest thriller to follow (I couldn’t even guess at what it’s like for the Chinese speaking one), which detracts a little from the overall enjoyment of the tense and tightly paced drama.
To set the … (read more)
It might be safe to say that the late 80’s and the early 90’s was possibly the high point for Hong Kong crime cinema. Sure, there’s been a lot of brilliant flicks since then (Johnny To probably responsible for more than his fair share) but the hey day of John Woo and Ringo Lam just somehow stands out as some of the freshest, most electrifying cinema around. True, the fairly standard criminal betrayed revenge story Full Contact wasn’t the most … (read more)