Project A is a highlight of Jackie Chan’s filmography, and the movie I use to introduce those unfamiliar with Hong Kong cinema to the many and varied delights it delivers. However, Project A: Part II is my favourite Jackie Chan movie. It is perhaps one of the purest displays of Jackie’s talent for creating intricate action and comedy scenes, displayed so clearly that the skill behind their construction is almost invisible.
As if as a reminder of the high bar … (read more)
Sammo Hung has embraced the fact he is a large fellow. Often giving his characters names that draw attention to his size — Teapot in Winners and Sinners or Moby in Wheels on Meals — or even referencing his physique in the title of the film itself — Enter the Fat Dragon or Skinny Tiger, Fatty Dragon — he has never allowed his decidedly non-traditional fighting frame to slow him down. This is amply apparent in Pedicab Driver.
Seconds … (read more)
According to his autobiography, Chan first received the nickname “Jackie” at a job on a Canberra construction site while visiting his parents, who worked at the US embassy. Although the construction site fight is an action movie staple — along with the warehouse or factory fight — it seems fitting that this Australian set film’s best action scene take place in one.
The original title positions this as the fourth in Jackie’s Police Story series, but apart from Stanley Tong returning as director after Police Story 3: Supercop and Bill Tung appearing in a few brief scenes as Jackie’s senior in the Hong Kong police, there is no connection to the previous movies. This is surely deliberate, allowing Jackie’s first American release post Rumble in the Bronx to build on the momentum begun by that film, without being billed as the fourth … (read more)
I missed the third film in the Wilson Yip-directed, Donnie Yen-starring Ip Man series when it was in cinemas, so I was very happy to have a chance to review the upcoming Aussie DVD/Blu-ray release (available May 4 from Eastern Eye). Yen’s portrayal of Wing Chun grandmaster Ip Man as a quietly traditionalist, highly skilled master of his art has been his most popular role of the last decade or so. Aside from his transformation in the flawed but fun … (read more)
Sun Wukong returns to the big screen in The Monkey King 2, the follow-up film to director Cheang Pou-soi’s 2014 Monkey King feature film. Right on time for Chinese New Year in the year of the monkey, it’s exactly what you want in a New Year film: big, broad, comfortably familiar and filled with with ample amounts of comedy and spectacle.
Ten years ago in 2005, Hong Kong action film SPL arrived, suggesting a triumphant return to the sort of film that Hong Kong has always done better than pretty much any industry on the planet; beautifully cheoreographed and edited hard-action cinema, the sort that’s only possible when you have a cast of martial artists and an experienced crew that knows how to shoot them to maximum effect.
In the intro to my write up back then, I called it:
A … (read more)