Blog Archives

An entertaining, family-friendly mishmash of martial arts picture and Indiana Jones-style treasure hunt, Wu Dang shows off some serious talent both in front of and behind the camera, coupled with a stunning setting way up amongst the Taoist temples in the Wudang Mountains.

Vincent Zhao returns to the role of leading man after 2010′s True Legend, which was his first cinema appearance in quite some time, after spending most of the decade prior in television in Hong Kong and … (read more)

Wong Yuen Yeung (Nick Cheung) gets a get-outta-jail card after doing 20 years for the rape and murder of a teenage girl called Yi Wan. He comes across Tsui Suet (Janice Man), a classical pianist who looks the spit of Yi Wan, and, like wow, crazy, she has the same father, Tsui Hon Lam (Michael Wong). So naturally Yeung follows her to her luxury home in the hills she shares with her parents and goes all creepily stalker, spying on … (read more)

From Melbourne With Love

A survey of the modest collection of obsolete optical media in my apartment reveals 32 Stephen Chow titles, a ratio of at least 5:1 over any other actor or director. Rather than being an irrelevant humblebrag on my part, this elucidates the fact that there is a global audience for Hong Kong’s popular cinema and — more importantly — Chow, whom I still consider its shining star. My take on his most recent film, Journey to … (read more)

As if we needed confirmation that Jackie Chan has been drinking Beijing’s Kool-Aid, the one-two punch of his recent remarks in the Hong Kong media and the ghastly and cynical CZ12 should put any queries to rest. Right before the film was released, Chan started shooting his mouth off about how Hongkongers complain too much and about how they’re just too quick to exercise their right to free speech and protest. He suggested the government look at putting some kind … (read more)

A solitary man in a white fedora weaves his way among dozens of nameless fighters as a silver rain cascades down around them. The slick street is illuminated by a single lamp, which casts off an ethereal glow. A blur of fists erupts and the bodies start to fall — elegantly in slow motion. We hear a comment that summarises the martial arts in two words: horizontal and vertical. Whoever remains standing, wins. The solitary man walks into the rain … (read more)

Many moons ago, pro-exploitation producer-director Wong Jing and actor Chow Yun-fat hit box office and entertainment pay dirt when they teamed up for God of Gamblers. That film’s pulpy action comedy was a silly delight, and proved Wong, something of a Roger Corman for Hong Kong, had the ability to crank out popular hits that didn’t always involve jiggling boobies. It lightened up Chow’s image among niche viewers outside Hong Kong (he was best known to that point for … (read more)

As Michael Douglas approaches 70 and we wave goodbye to the golden-era of Hollywood’s erotic-thrillers, the recent local release of The 33D Invader reminds us that Hong Kong’s Category III films still exceed typical fringe exploitation budgets, and live on in the realm of mainstream Cantonese film. Cash Chin’s latest, distributed by Madman, contributes to his legacy as one of the premier filmmakers of the genre. Whilst it’s unlikely that Chin’s films will be retrospectively revered like those of more … (read more)

Director Pang Ho-Cheung is one of Hong Kong cinema’s chameleons. If you’re unfamiliar with his work, he is well worth discovering. In just over a decade he has made quality and sophisticated dramas like Isabella and Beyond our Ken, which sit comfortably with his cunning and often ground breaking (and at times violent) satires such as You Shoot, I Shoot and Dream Home. His recent RomComs Love in a Puff and Love in the Buff are intelligent and … (read more)