Blog Archives

Remaking Hong Kong cinema’s greatest hits seems to have been all the rage lately. Last year we had Wilson Yip’s swing at remaking A Chinese Ghost Story and Tsui Hark’s second go at King Hu’s classic Dragon Inn. To be fair, Tsui’s Flying Swords of Dragon Gate ended up as more a sequel to New Dragon Gate Inn than a remake, and it was considerably more fun than I was expecting — I’ll write it up when I get … (read more)

(Ed: we don’t normally prepend a disclaimer to a review, but we just thought we’d warn you: Liz is pretty frank in this piece, and you should expect explicit discussion of, well, very explicit themes and the occasional spoiler. You are reading about a film titled ‘3D Sex and Zen: Extreme Ecstasy’, after all!)… (read more)

Looking through our archives, it seems like almost everyone who’s ever written for Heroic Cinema has sat down at a keyboard to bash out a review of a Johnnie To film at one time or another. Ching Yee compared films from Milkyway Image to comfort food in her review of My Left Eye Sees Ghosts, and she’s right — To’s films have developed a distinctive style and consistently high level of quality over the years, and I always look … (read more)

Well, there seems to a plethora of comic book based movies nowadays, with the ever-increasing ability of digital effects to recreate the comic book panel.  So whilst skimming over a cinema guide recently, my mind slowly drifted to one of the first comic book digital effects spectacles that I could remember: The Storm Riders.  It was convenient then that Pinnacle are about to do an Australian DVD release, meaning I get to revisit this 1998 ‘classic’.

Ah, nostalgia – … (read more)

Anyone with an interest in contemporary Hong Kong cinema has seen a film with Felix Chong’s screenwriter-fingerprints all over it, from this year’s Donnie Yen action spectacular (well, one of them!) The Lost Bladesman to the much-lauded Infernal Affairs trilogy. Usually, he works alongside Alan Mak, with whom he shares most of his writing credits, and often it seems that director Andrew Lau’s involved as well.

Not so for Once a Gangster, Chong’s first film as solo director. Years … (read more)

Sometimes the overwhelming success of a particular genre film can have an unfortunate effect on the movies following it. I’m talking here about Crouching Tiger Hidden Dragon, which has become so popular and awarded since its release in 2000 that it’s now the gold standard for martial arts films. It has allowed lazy film publicists, uninformed film reviewers and the general public to label a new kung fu / martial arts film as simply being not as good, or … (read more)

Way back in my misspent youth (spent watching telly, mostly), there was one of those midday movies on the box that captured my imagination. Titled Judge Dee and the Monastery Murders, the film was, to my young mind, cheeky, fun, spooky, and a tantalising glimpse into a world I had never thought of: the China of over a thousand years ago.

Years later I stumbled across Barry Hughart’s terrific and delightful trilogy of novels of a China ‘that never … (read more)

Have you noticed how the last few years have seen South Korean cinema fall under the influence of the great Hong Kong crime thrillers of the 1980s and early-’90s? Whether it’s in a stylistic and/or thematic shout-out or a straight-up remake of a classic — like Son Hae-sung’s A Better Tomorrow or the upcoming 3D remake of The Killer (nooooooo!) starring Jung Woo-sung — the Korean industry owes a lot to the trail blazed by John Woo, Ringo Lam and … (read more)