Blog Archives

Way back in my misspent youth (spent watching telly, mostly), there was one of those midday movies on the box that captured my imagination. Titled Judge Dee and the Monastery Murders, the film was, to my young mind, cheeky, fun, spooky, and a tantalising glimpse into a world I had never thought of: the China of over a thousand years ago.

Years later I stumbled across Barry Hughart’s terrific and delightful trilogy of novels of a China ‘that never … (read more)

Have you noticed how the last few years have seen South Korean cinema fall under the influence of the great Hong Kong crime thrillers of the 1980s and early-’90s? Whether it’s in a stylistic and/or thematic shout-out or a straight-up remake of a classic — like Son Hae-sung’s A Better Tomorrow or the upcoming 3D remake of The Killer (nooooooo!) starring Jung Woo-sung — the Korean industry owes a lot to the trail blazed by John Woo, Ringo Lam and … (read more)

Recently I watched Monsters, Gareth Edwards’ reasonably low-budget sci-fi and romance flick. Getting over the being-bashed-on-the-head subtext about racial inequality and the U.S.’ view of the poor and foreigners alike as ‘alien’, the film has a very gorgeous sense of cinematography. The landscapes are verdant, the cityscapes alive, rusted, and full of movement. Edwards’ film captures beautiful moments with economy and subtlety.

Why mention this? Because unfortunately the very next film I watched, immediately afterwards, was this film, Ip … (read more)

Chang Cheh was one of Shaw Brothers’ most iconic directors. Working from the late 50s into the 90s, he was extremely prolific (more than a hundred films, eight films in one year at his peak in 1974) and, along with action maestro Lau Kar-Leung, he can claim a large chunk of the credit for Shaws’ reputation as a martial arts film powerhouse. Heavily influenced by Kurosawa’s samurai pictures and Leone’s spaghetti westerns, he brought a dramatic, blood-spattered intensity to Shaws’ … (read more)

The role of Chen Zhen is a storied one in Hong Kong film. First played by Bruce Lee in (arguably his best film) Fist of Fury, the fictional vengeful student of real-life martial artist Huo Yuan Jia has been played by Jet Li (in Fist of Legend, also a classic), and in television adaptations by Donnie Yen, Bruce Leung and Jordan Chan. Fist of Fury’s original director Lo Wei also went on to make a sequel, 1976′s … (read more)

Our first Chinese film release in Australian cinemas this year is Benny Chan’s Shaolin, a big-budget action film packed full of stars and showcasing Shaolin kungfu and philosophy with an official seal of approval from the Shaolin Temple itself.

Straight off the back of his starring role in Detective Dee, Andy Lau stars as warlord Hao Jie, a calculating general who delights in ravaging across the countryside, capturing cities and amassing a serious retirement nest-egg. His most recent … (read more)

I didn’t think I would see a better Cantonese film this year than Soi Cheang’s Accident – then along came Johnnie To’s Vengeance, a remarkable crime drama which ultimately transcends the genre.

A Hong Kong / France co-production, Vengeance is set mainly in Macau and stars French actor/singer Johnny Hallyday. Initially, Alain Delon was to be the lead but he pulled out and was replaced by Hallyday.

The opening twenty minutes are superb and announce to the audience that … (read more)

To try and sort out the convoluted plot of Dante Lam’s Fire of Conscience would take more space than this website has bandwidth. Just thinking about the gratuitous twists and turns in the narrative is enough to prompt a migraine. To that end, Lam was probably going for more of the cops and robbers action vibe Hong Kong did so well in the ‘80s and ’90s — and that Lam evoked so effectively in last year’s Sniper and 2008’s surprising … (read more)