Reviews by Country
As if we needed confirmation that Jackie Chan has been drinking Beijing’s Kool-Aid, the one-two punch of his recent remarks in the Hong Kong media and the ghastly and cynical CZ12 should put any queries to rest. Right before the film was released, Chan started shooting his mouth off about how Hongkongers complain too much and about how they’re just too quick to exercise their right to free speech and protest. He suggested the government look at putting some kind … (read more)
Project A, made in 1983, marked Jackie Chan’s return to the Hong Kong film industry after his first attempt to crack the American film market (resulting in Battle Creek Brawl and a cameo in Cannonball Run). It reunited the three opera school brothers — Jackie Chan, Sammo Hung and Yuen Biao — in a huge period comedy with a very liberal dose of action scenes, and earned a ridiculous amount of money at the HK box office at … (read more)
Miracles was Jackie Chan’s answer in 1989 to the criticism that Hong Kong cinema wasn’t capable of doing more than low-budget action films, limited to genre pictures and nothing more. This film had an enormous budget for its time, took nine months to shoot and was made with a great deal of care and attention to detail. The sets are enormous and detailed. The costumes are great. There are tracking shots and other complicated camerawork everywhere. And, as always in … (read more)
Police Story has been called the greatest action film of all time. That’s making a big claim, and I’m not certain it’s true, but I am certain that this film is a fine example of Jackie doing what Jackie does best: taking a beating from bad guys, good guys, cars, furniture, and assorted household items.
The film opens with a stakeout leading to a spectacular chase down the side of a mountain, smashing through a shanty town on the slope. … (read more)
Famous not only as a box-office smash, but also for containing a misfired stunt that smashed open Jackie Chan’s skull, Armour of God is a bare bones action-adventure yarn that displays oodles of JC’s superb athleticism and wily comic talents. This is a movie that barely makes sense, is often borderline politically incorrect, and is firmly rooted in childish entertainment — in short, it’s an energetic and accomplished plot-driven B-movie that aficionados of finer martial action or breakneck comedy may … (read more)