Viewing Rumble in the Bronx today is a strange experience. On release it was Jackie’s successful comeback to the American movie market, a Golden Harvest production that finally showcased what Jackie could do, the Hong Kong way. Nowadays it feels very dated, and it’s hard to believe this film did well enough to trigger Jackie’s rise to Hollywood stardom. Ostensibly set in New York City, failing to disguise being filmed in Vancouver, Canada and very Hong Kong in style and … (read more)
The original title positions this as the fourth in Jackie’s Police Story series, but apart from Stanley Tong returning as director after Police Story 3: Supercop and Bill Tung appearing in a few brief scenes as Jackie’s senior in the Hong Kong police, there is no connection to the previous movies. This is surely deliberate, allowing Jackie’s first American release post Rumble in the Bronx to build on the momentum begun by that film, without being billed as the fourth … (read more)
Well, we’re a little late with this one, and we’re terribly sorry — a new Jackie Chan film should be an event, exploding on to the screen with jawdropping stunts and inspired action choreography. With ceiling fans, clock towers and pachinko parlours. Instead, my copy of The Myth has sat on my shelf a while, looking sorrowfully at me while I passed it over in favour watching of Shaw Brothers classics.
But no more. I picked it up the other … (read more)
The Police Story series is one of Jackie Chan’s best-loved series of films. The first one, made in 1985, is lauded by many as one of the best action films ever made. As well as showing off Jackie’s talents, they made stars of actresses Maggie Cheung (Jackie’s long-suffering girlfriend in the first three films) and Michelle Yeoh, who almost out-stunts Jackie in Police Story III.
It’s a slower film than the first two Police Stories, this one. Made … (read more)