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JAPANIME 02 : Day 4

Last, but definitely not least on my Japanime festival hit list comes WXIII Patlabor, the film that I perhaps knew least about but I think expected the most out of.

Expectations tend to sit badly with me at the best of times, with a whole host of applied negative connotations that I fight desperately to ignore. As a result, I tend to like, at least in this instance, what it is about the film that I wasn't prepared for and somehow this helps me forget what it was I really expected in the first place. I have a suspicion I wasn't the only one to have been facing such issues. The crowd for the final film of the Brisbane instalment of Japanime 02 was capacity, and looked a hell of a lot like it was mostly there for the mecha.

If that was the case, or if in fact that was the only interesting thing that any of the Patlabor films have ever had going for them (and I was somehow mistaken about their other qualities), then there might have been a few disappointed faces as the lights came up.

 

But of course, the mecha has only ever been part of Patlabor's charm, and in this particular case was perhaps featured a little lower on the list than in the past. Controversial of me to say perhaps but I found this a rather pleasant surprise. With a film like Patlabor it's almost impossible to consider it independently from its predecessors, kind of like the difficulty in avoiding comparisons between siblings. Yet WXIII had enough going for it to make it a worthwhile part of the family, and to enable it to stand on its own as a film in its own right. Its narrative and visual quality positively comparative to Patlabor and Patlabor 2, it was original and fresh in its details while still managing to maintain that attractive element of character driven mystery that made the other two films so easy to watch.

 
   

All in all, it wasn't a bad way to end the festival. With the amazing range (and number) of films on offer anyone (and everyone) who attended Japanime 02 here in Brisbane should have at least had the opportunity to hopefully expose themselves to something truly new, fresh and interesting direct from the source, as well as get their fix of favourites.

The turn out also hopefully bodes well for the continuing health of the festival, and with the stabilisation of a much neglected market not only up here in the Sunshine State but in this country in general. Kudos to the people at the Dendy for all their hard work in securing the program, doing their utmost best despite the odd hiccup to bring us what we love best, bring us together and giving us hope for the future. Here's to Japanime 04. Don't know about you, but I'm saving up for that season pass and a week off from work already...

 

 
Deni Stoner signing off (for now!).  

Don't be fooled though - Japanime 02 isn't through with anyone yet! Stay tuned as reports start coming in from the Sydney and Melbourne instalments of this awesome anime festival!

 

 

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