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BABY CART TO HADES (1972)
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Screening on
World
Movies
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SYNOPSIS:
May contain spoilers... |
| After
undergoing torture to demonstrate his honour and buy the freedom
of a girl about to be forced into a life of prostitution, Ogami is
hired by his very-impressed torturers to kill a corrupt governor.
The governor figures out he's the target when Ogami turns down the
governor's own commission, and the body-count soon starts rising
to monumental proportions.
Samurai movie starring
Tomisaburo Wakayama and Masahiro Tomikawa.
Directed by Keni Misumi.
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HEROIC-CINEMA'S REVIEW:
Once again, we catch up with Itto Ogami and his son
Daigoro, as they trundle their way across Japan, killing some
folks and not killing others while wandering through a lot of
extremely scenic countryside. For some reason, the music is a sort
of ghastly 70s blarting, which distracts considerably from the
action it's supposed to underscore. |
| As the credits roll, accompanied by the nasty blarting music,
we're treated to Ogami and son bathing in a stream and catching
fish, clad in matching father-and-son undergarments. |
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| When they get underway again, it's to run up against
Kanbei, a samurai-turned-foot-soldier. Kanbei is part of a group
heading for the employ of a lord, and while Kanbei looks to be
quiet and modest, a true samurai, this can not be said of his
fellow soldiers. They are intent on finding some women to rape,
and an opportunity presents itself soon enough. Interestingly
enough, Kanbei, that fine samurai, doesn't intervene until it's
all over and the three rapists are being attacked by the ladies'
manservant (who's only just regained consciousness). His
intervention is not what we'd expect, however, and the two ladies
and their manservant soon discover that there may be a fate worse
than "a fate worse than death". That is, death. Ogami
and son rattle and roll into the conclusion of this little affair,
with Kanbei standing over the corpse of the fellow he's just
killed as scapegoat. |
| The two samurai exchange polite greetings, and Kanbei challenges
Ogami to a duel. I found this little interchange quite
fascinating, despite being almost totally motionless. I was
interested to learn that the samurai code of honour is not as
simple as it appears: instead of a general goodwill to all, or a
reluctance to shed the blood of nobles, we have a complex set of
rules and codes that force a samurai to think all the time, to
constantly evaluate his actions to determine what is right. |
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| Anyway, back to the road. Ogami once
again finds external events intruding into his perambulations
about the scenic Japanese countryside, and accepts a commission
from the yakuza. There's a very fine scene about here in which
Ogami is called into the governor's presence and offered a
commission to assassinate someone else. Ogami refuses, and turns
to leave, prompting the bodyguards on either side of the door to
draw their weapons. Ogami also draws his sword, and stands
motionless, holding his sword pointing backwards. This scene,
although again almost motionless, is fairly tense and far more
effective than lots of shouting and shooting would be. It's also
far more realistic: think of anything ranging from a bar brawl to
an international standoff, and what you'll get is a lot of
toe-to-toe eyeballing, with all participants reluctant to escalate
matters. |
In this one, then, in addition to Ogami and his
sword, we get girls, guns, yakuza, soldiers, officials, and scary
ninjas.
Ogami manages to dispatch all the wrong ones and not dispatch the
right ones without risking his son's life or equanimity: indeed,
the child seems to be taking to the life rather well. |
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| Apropos of nothing, I was surprised at
the quality of the colour in this film: for something made in
1972, I'd have expected something either in shades of taupe or in
lurid oranges, but the colour seemed surprisingly clear and clean.
Pity the sound didn't match.
Overall, not as good as Sword
of Vengeance, but still a fine sword-fest for those who
appreciate such things.
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| Rating:
Six and a half samurai swords out of ten.
Reviewed by Alison Jobling
FURTHER READING:
Lone
Wolf & Cub - The Fan Site
Ninja
Dojo - Lone Wolf & Cub section
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H E R O I C - C I N E M A
http://www.heroic-cinema.com
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