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VAMPIRE PRINCESS MIYU (M) 

DETAILS:

Volume 1 - Initiation

Episodes

01: The Fang Knows!
02: At the Next Station
03: The Forest Calls

DVDs $34.95 each (Multilingual - English/Japanese)
Region 4. Running time 75 mins

Videos - $24.95 each (English language)
PAL VHS

Available in Australia from Madman.

SYNOPSIS:

Evil Shinma -- shape-shifting monsters and vampires -- roam the Earth on a mission to unleash their darkness upon the Human race. Miyu Royal Princess from the dark is the Chosen One -- The one being who must banish the Evil Shinma from the Earth. She has the power to offer Humans the gift of eternal happiness, yet is herself, trapped between two worlds; destined for perpetual solitude and internal conflict.

Miyu’s only companion is Larva, once an evil Shimna; now her devoted guardian. Together they share a dark journey through the weakness of the human heart and the tragic loss of innocence. Cut off from humanity by the knowledge of what she is, Miyu lives an endless quest as both the hunter and the hunted, on the edge of darkness.

REVIEW:

You might be wondering what you’re watching when you slip Vampire Princess Miyu into the DVD player. To start with, there’s the whole vampire thing, as in Miyu is one. But hang on, Vampire Hunter D this isn’t, or even Blood: The Last Vampire. For a start, Miyu’s kind of cute. She doesn’t much look like someone who could tear your throat out, and speaking of which, where’s the action? Where’s the fight scenes, the bad guys, the blood?

Welcome to the world of Shoujo anime.  
Shoujo anime and manga, and you might have heard the term bandied about before, is typically regarded as anime and manga for girls. That is, stories that are meant to be of more interest to young women than boys or men. Sailor Moon, Cardcaptor Sakura or Magic Knights Rayearth, rather than Digimon, Zoids or Dragon Ball Z. There’s an emphasis on growth, on self, on relationships and emotional attachments that typify shoujo anime throughout, no matter the genre.  
But in Vampire Princess Miyu there is something more. Perhaps it comes from the subject matter and its classical Victorian gothic origins. Perhaps it comes from its moralism – the tales in Miyu do not necessarily end well, for either the main character or the victims. There’s no molly-coddling here, no saying ‘It’s okay. It’ll all end Happily Ever After’, no dumbing down of the viewer. Miyu’s themes can in fact be quite disturbing if one thinks about them enough, and that fact in itself elevates it above some of its shoujo contemporaries.
Which is something of a feat, considering Miyu is based on a series first serialised in the shoujo anthology Horror Comics in 1988. Initially co-created by Toshiki Hirano and Narumi Kakinouchi and entitled Vampire Miyu (the series title was translated to Vampire Princess Miyu because of the double reading of the Kanji and kana characters used), the title spawned other side stories, spin-off titles and, almost a decade later in 1997, a 26-episode television series. There are also a couple of OAVs (four episodes in all) out there, but the more recent series is much truer to the original manga.  
And watching the first volume Initiation, it becomes obvious why Miyu was, is and continues to be such a popular title. There’s something magnetic about it, about Miyu herself who is so obviously not human because she possesses none of the flaws or emotional weaknesses the humans surrounding her possess. She passes an almost impartial Outer Limits sort of judgement on those individuals who fall victim to the Shinma, or demon gods, she is sworn to destroy yet is herself somehow poignant in her humanity, a picture of isolated loneliness not of her own choosing.
One of the other more interesting aspects of this series is the depth of character that many of the villains have; although demons, they also have personalities, yearnings, that go beyond "I want to kill people". Miyu’s Shinma servant Larva is perhaps the most fascinating and complex of them all, an outsider who seems to live only to serve Miyu yet who is demonstrably an individual with a past, a history, a mind of his own.

There’s also something alluring in the absence of non-stop action in this series, in the silence of thought and meaning inherent in gesture that the animation often infers. It's all very low-key, as if it has been lit in psychological noir. Miyu as both a character and a plot device stands outside what is happening, making her the perfect foil for unspoken questions of morality, of right and wrong and human frailty. Sailor Moon was never quite this challenging.

 
But for all its sublevel complexity, Miyu is in many ways still constrained by its shoujo origins. The three episodes on Initiation are both an introduction to and indication of what can be expected throughout, and yes it is formulaic – all series are in one way or another – and it may not make as much of a first impression as other more action-orientated series.

However, the power of Miyu to capture lies in its details and it is on this level that the series has a lot going for it. It’s somewhat above your average costumed-heroine show, even while it employs many of those formulas. It has action, but that is merely conclusion for an instigating issue. It has conflict, but it is mostly internalised. The animation sometimes appears a little dated, but there is something charming in its classical look. While it probably won’t get your blood pumping, so to speak, it is a good, solid, interesting series, unexpectedly creepy and just complex enough not to get too boring. Perfect for wiling away a lazy weekend afternoon.


Rating: 6 Weird-assed Bunny Demons out of 10
 

About the DVD

The opening sequence is short but lovely, with simple clear navigation. Audio is good, especially the soundtrack (by Kenji Kawai, composer of the Ghost in the Shell soundtrack!). The English vocal talent for Miyu and Larva are particularly outstanding, with overall performances being quite understated and entirely suitable to both the original Japanese version as well as the gothic noir look and feel of the series. The Japanese dialogue does however have slightly more personality than the English. It will probably be a matter of personal preference.

There’s no chapter selection, but there is episode selection, again, extremely easy to navigate.

Features:

  • Japanese Opening Titles – the opening sequence is a highlight, and the original Japanese version, with its gorgeous calligraphy, is a visual pleasure.
  • Shinma Gallery – typical production sketches, but did you know that ‘shinma’ was a term that the creator Kakinouchi made up, whereas some of the individual Shinma themselves are partially derived from real Japanese mythology? Cool!
  • Madman Propaganda (Hellsing, Vampire Hunter D, Berserk, Cowboy Bebop, Armitage III, Love Hina)

Places of interest:

Vampire Princess Miyu OAV information
Tokyo Pop's Vampire Princess Miyu page


Reviewed by Deni Stoner

 

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