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VAMPIRE PRINCESS MIYU (M)
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DETAILS:
Volume 1 - Initiation
Episodes
01: The Fang Knows!
02: At the Next Station
03: The Forest Calls
DVDs $34.95 each (Multilingual - English/Japanese)
Region 4. Running time 75 mins
Videos - $24.95 each (English language)
PAL VHS
Available in Australia from Madman.
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SYNOPSIS:
Evil Shinma -- shape-shifting monsters and
vampires -- roam the Earth on a mission to unleash their darkness
upon the Human race. Miyu Royal Princess from the dark is
the Chosen One -- The one being who must banish the Evil Shinma
from the Earth. She has the power to offer Humans the gift
of eternal happiness, yet is herself, trapped between two
worlds; destined for perpetual solitude and internal conflict.
Miyu’s only companion is Larva, once an evil Shimna;
now her devoted guardian. Together they share a dark journey
through the weakness of the human heart and the tragic loss
of innocence. Cut off from humanity by the knowledge of what
she is, Miyu lives an endless quest as both the hunter and
the hunted, on the edge of darkness.
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| REVIEW:
You might be wondering what you’re watching when you
slip Vampire Princess Miyu into the DVD player. To
start with, there’s the whole vampire thing, as in Miyu
is one. But hang on, Vampire Hunter D this isn’t,
or even Blood: The Last Vampire. For a start, Miyu’s
kind of cute. She doesn’t much look like someone who
could tear your throat out, and speaking of which, where’s
the action? Where’s the fight scenes, the bad guys,
the blood?
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| Welcome to the world of Shoujo anime.
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| Shoujo anime and manga, and you might have heard the term
bandied about before, is typically regarded as anime and manga
for girls. That is, stories that are meant to be of more interest
to young women than boys or men. Sailor Moon, Cardcaptor
Sakura or Magic Knights Rayearth, rather than
Digimon, Zoids or Dragon Ball Z. There’s
an emphasis on growth, on self, on relationships and emotional
attachments that typify shoujo anime throughout, no matter the
genre.
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| But in Vampire Princess Miyu there is something more.
Perhaps it comes from the subject matter and its classical Victorian
gothic origins. Perhaps it comes from its moralism – the
tales in Miyu do not necessarily end well, for either the main
character or the victims. There’s no molly-coddling here,
no saying ‘It’s okay. It’ll all end Happily
Ever After’, no dumbing down of the viewer. Miyu’s
themes can in fact be quite disturbing if one thinks about them
enough, and that fact in itself elevates it above some of its
shoujo contemporaries.
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| Which is something of a feat, considering Miyu is
based on a series first serialised in the shoujo anthology Horror
Comics in 1988. Initially co-created by Toshiki Hirano
and Narumi Kakinouchi and entitled Vampire Miyu (the
series title was translated to Vampire Princess Miyu
because of the double reading of the Kanji and kana characters
used), the title spawned other side stories, spin-off titles
and, almost a decade later in 1997, a 26-episode television
series. There are also a couple of OAVs (four episodes in all)
out there, but the more recent series is much truer to the original
manga.
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| And watching the first volume Initiation, it becomes
obvious why Miyu was, is and continues to be such a
popular title. There’s something magnetic about it, about
Miyu herself who is so obviously not human because she possesses
none of the flaws or emotional weaknesses the humans surrounding
her possess. She passes an almost impartial Outer Limits
sort of judgement on those individuals who fall victim to the
Shinma, or demon gods, she is sworn to destroy yet is herself
somehow poignant in her humanity, a picture of isolated loneliness
not of her own choosing.
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| One of the other more interesting aspects of this series is
the depth of character that many of the villains have; although
demons, they also have personalities, yearnings, that go beyond
"I want to kill people". Miyu’s Shinma servant
Larva is perhaps the most fascinating and complex of them all,
an outsider who seems to live only to serve Miyu yet who is
demonstrably an individual with a past, a history, a mind of
his own.
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| There’s also something alluring in the
absence of non-stop action in this series, in the silence
of thought and meaning inherent in gesture that the animation
often infers. It's all very low-key, as if it has been lit
in psychological noir. Miyu as both a character and
a plot device stands outside what is happening, making her
the perfect foil for unspoken questions of morality, of right
and wrong and human frailty. Sailor Moon was never
quite this challenging.
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| But for all its sublevel complexity,
Miyu is in many ways still constrained by its shoujo
origins. The three episodes on Initiation are both
an introduction to and indication of what can be expected throughout,
and yes it is formulaic – all series are in one way or
another – and it may not make as much of a first impression
as other more action-orientated series.
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However, the power of Miyu to capture
lies in its details and it is on this level that the series
has a lot going for it. It’s somewhat above your average
costumed-heroine show, even while it employs many of those
formulas. It has action, but that is merely conclusion for
an instigating issue. It has conflict, but it is mostly internalised.
The animation sometimes appears a little dated, but there
is something charming in its classical look. While it probably
won’t get your blood pumping, so to speak, it is a good,
solid, interesting series, unexpectedly creepy and just complex
enough not to get too boring. Perfect for wiling away a lazy
weekend afternoon.
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Rating: 6 Weird-assed Bunny Demons out of 10 |
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About the DVD The opening sequence is short but lovely,
with simple clear navigation. Audio is good, especially the
soundtrack (by Kenji Kawai, composer of the Ghost in the Shell
soundtrack!). The English vocal talent for Miyu and Larva
are particularly outstanding, with overall performances being
quite understated and entirely suitable to both the original
Japanese version as well as the gothic noir look and feel
of the series. The Japanese dialogue does however have slightly
more personality than the English. It will probably be a matter
of personal preference.
There’s no chapter selection, but there is episode
selection, again, extremely easy to navigate.
Features:
- Japanese Opening Titles – the opening sequence
is a highlight, and the original Japanese version, with
its gorgeous calligraphy, is a visual pleasure.
- Shinma Gallery – typical production sketches,
but did you know that ‘shinma’ was a term
that the creator Kakinouchi made up, whereas some of the
individual Shinma themselves are partially derived from
real Japanese mythology? Cool!
- Madman Propaganda (Hellsing, Vampire Hunter
D, Berserk, Cowboy Bebop, Armitage
III, Love Hina)
Places of interest:
Vampire Princess Miyu OAV
information
Tokyo Pop's Vampire
Princess Miyu page
Reviewed by Deni
Stoner
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H E R O I C * C I N E M A
http://www.heroic-cinema.com
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