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PRISON ON FIRE
(Chinatown Video)

Reviewed by Jonathan Marshall

Prison on Fire is an early film from director Ringo Lam (City on Fire, Full Alert), co-staring the master of HK hard-boiled roles: Chow Yun Fat (A Better Tomorrow, The Killer). Lam’s productions have a gritty, edgy, pressurised feel. Prison on Fire however transfers Lam’s usual dark, neon-lit urban environments - populated by fraternally-linked cops and criminals - to the overcrowded, hyper-real, grimy ‘jungle’ of the inmates’ world, ruled over by even more brutal guards. Although there are many ‘prison films’ to which POF could be compared, Lam’s work has more in common with Lord of the Flies and other hyperbolic thrillers than these movies. Lam eschews the traditional approach of focusing on the heroes’ attempts to escape, and instead depicts the prison environment as a place which brings out the worst in people.

Perhaps the most impressive aspect of POF is the fearful sense of inevitability that pervades the increasingly visceral, violent conflicts that develop over the course of the narrative. Tiny, irrelevant details accumulate with an imperious force, driving the characters into ever more insoluble situations. Their impending doom is writ large early on in the film. By forcing the cinematography into smaller and smaller spaces, white walls receding in the face of ominous greens, yellows and browns, spots of sweat on every character’s face becoming more and more unavoidable, and occasional, echoing chords punctuating the rhythm of the realist sound design, Lam makes this highly melodramatic scenario both compelling and convincing. As anger, death and fear threatens to completely overwhelm every aspect of the movie, one is transported into a primal, almost mythic environment, with Chow transforming into a hideous, avenging demon, impervious to pain because he has endured so much, his wrath mirrored by the storm outside. POF is deliberately hard going in the end, but few films create such a marvellous form of super-heated realism.

© 2000 Jonathan Marshall

 

 

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