For a moment, around the time of The Forbidden Kingdom, it looked like Jackie Chan was going to start “acting his age”. This prospect had the satisfying feeling of things coming full circle, with the potential for Jackie to deliver some entertaining mentor roles like those Simon Yuen did for him decades ago in Snake in the Eagle’s Shadow and Drunken Master. Things have not gone according to plan.
Given the downward trend of Jackie’s career of late, … (read more)
The Art Gallery of NSW has just announced a series of ten (free!) screenings here in Sydney focusing on the careers of four of Chinese cinema’s leading actresses, from the 1930s to today: Ruan Lingyu, Anna May Wong, Maggie Cheung and Zhao Tao. Films screen every week from 20 June to 26 August.
From their blurb on the website:
In 1930s China, the term mingxing (bright star, 明星) captured the allure of a new public figure: the screen diva. … (read more)
Viewing Rumble in the Bronx today is a strange experience. On release it was Jackie’s successful comeback to the American movie market, a Golden Harvest production that finally showcased what Jackie could do, the Hong Kong way. Nowadays it feels very dated, and it’s hard to believe this film did well enough to trigger Jackie’s rise to Hollywood stardom. Ostensibly set in New York City, failing to disguise being filmed in Vancouver, Canada and very Hong Kong in style and … (read more)
For a film industry that thrives on sequels, Jackie Chan made relatively few in his Hong Kong heyday. Police Story 2 is the first sequel in his longest running — at least in name — series, currently six films long as of Police Story: Lockdown and one spin-off strong with the Michelle Yeoh-starring Project S / Supercop 2.
It took the Marvel superhero franchise years to address the issue of collateral damage caused by its heroes’ actions, but Police … (read more)
Given the success of the previous two films co-starring Sammo Hung, Jackie Chan and Yuen Biao, it’s no surprise the Golden Harvest studio produced another, although it took a few years to come to fruition. In the meantime, Jackie had become a superstar and movie theatres were teeming with modern-day Hong Kong action comedies, so the formula was remixed for what is still — despite the pleading puppy dog eyes of millions of fans — the final big screen collaboration … (read more)
Before watching the new Mainland release, A Better Tomorrow 2018, I was wondering why the world of cinema needed such a remake. I was still asking myself the same question after seeing this movie last week.
Film remakes are problematic at the best of times, and Hollywood is an industry leader at producing the best in bad remakes. My recent favourite titles in this sub-genre are Tony Scott’s Taking of Pelham 1,2,3, and Simon West’s The Mechanic. … (read more)
After the success of The Young Master, with its action stretching traditional kung fu choreography in unexpected directions, Jackie Chan pushed boundaries further in his follow-up film. Originally a sequel titled Young Master in Love, the experimental action maintains a thematic through-line with Jackie’s previous work, even as the narrative continuity is cast aside. After a long and difficult gestation of almost a year — forever by Hong Kong standards at the time — Dragon Lord was born.… (read more)