Melbourne: ACMI screens Zhang Yimou and Gong Li’s films

Coming Home

In my continuing series of posts where I wish that there was a cinema venue like Melbourne’s ACMI in Sydney, I’m going to enviously link to their showcase of films by Zhang Yimou starring his early muse, Gong Li.

Here are all the details at ACMI’s site.

Coming Home

It’s a great list of films — here’s what’s on show, with links to our reviews where we have them: (read more)
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This week in cinemas: ‘Gangnam Blues’ (South Korea)

Gangnam Blues

Arriving in Australian cinemas this week is South Korean gangster film Gangnam Blues (Korean title: 강남 1970).

Set amidst the social upheaval of South Korea in the 1970s, the film is an action noir focusing on corruption and organised crime’s involvement in the early development of Seoul’s Gangnam district. (From what I can see on the Web this sounds reminiscent of recent HK flick Overhead 3, actually).

It’s directed by Yoo Ha (A Dirty Carnival, A (read more)

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Coming Home (2014)

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Coming Home

Coming Home is the latest Zhang Yimou-Gong Li screen collaboration, and it reminds me of their great films from the 1990s. In Coming Home Gong Li once again shows that she is one of the world’s most gifted actors.

Director Zhang Yimou’s recent film-making has kept him busy, but mainly in a workmanlike way. International hits such as the Grand Guignol of Curse of the Golden Flower and the arthouse-wuxia pics Hero and House of Flying Daggers have kept his … (read more)

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Myths & Legends programme at GoMA

SevenSamurai_still

It’s always worth checking out the new three-monthly programmes at Brisbane’s Gallery of Modern Art cinema, and the January to March line up presents a few pearls of Asian cinema that you may want to catch on the big screen, even if you have seen them before (because I don’t know about you, but any opportunity to see Seven Samurai at the cinema is to be taken, as far as I’m concerned):

  • Kuroneko (1968, dir. Kaneto Shindou) – Sat 31
(read more)
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Dukhtar (2014)

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Dukhtar

Dukhtar is the debut feature length film for writer-director Afia Nathaniel, an independent Pakistani filmmaker. Unfolding in the heart of Pakistani tribal lands, the film revolves around the harrowing and brave escape of a mother and her child as they flee the clutches of local warlords, in the face of the impending marriage of her 10-year-old daughter to a local chieftain. The mother, Allah Rakhi (Samiya Mumtaz), was once a child bride herself. Married off to Daulat Khan (Asif Khan), … (read more)

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Melbourne: The Chinatown Cinema Returns!

chinatown_cinema

(OK, so this post is a bit late, and I apologise — I was reminded that I’d forgotten to write about this today, and thought I’d better get to it!)

A couple of months ago several people (thanks, guys and girls!) wrote in on Facebook and via email to let us know that Melbourne’s Chinatown Cinema has reopened and is showing Hong Kong films again! This is tremendous news: several of us were regulars there back in its heyday, and … (read more)

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Snow on the Blades (2014)

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Snow on the Blades (Poster)

Snow on the Blades is a contemplative, elegant drama set at the end of Japan’s feudal era, spanning the decline of the Tokugawa shogunate in the 1860s and the dawning of the Meiji period thereafter.

The story follows one Shimura Kingo (Kiichi Nakai), a young man whose family are samurai in service to Ii Naosuke, chief minister to the Shogun. A master swordsman, he has recently married and has been elevated to the position of chief bodyguard to the minister, … (read more)

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International Chinese Film Festival 2014 (Sydney)

ICFF

Sydneysiders: tonight is the Opening Night for this year’s International Chinese Film Festival for 2014, which runs for the next week or so until 30 November. This year, there are eight feature films screening at Hoyts Broadway (plus tonight’s Opening Night screening of No Man’s Land at Fox Studios).

This year there’s also a further nine movies, perhaps the less commercial fare, screening for free at the China Cultural Centre — you just have to get in touch in advance … (read more)

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