Given the success of the previous two films co-starring Sammo Hung, Jackie Chan and Yuen Biao, it’s no surprise the Golden Harvest studio produced another, although it took a few years to come to fruition. In the meantime, Jackie had become a superstar and movie theatres were teeming with modern-day Hong Kong action comedies, so the formula was remixed for what is still — despite the pleading puppy dog eyes of millions of fans — the final big screen collaboration … (read more)
After the success of The Young Master, with its action stretching traditional kung fu choreography in unexpected directions, Jackie Chan pushed boundaries further in his follow-up film. Originally a sequel titled Young Master in Love, the experimental action maintains a thematic through-line with Jackie’s previous work, even as the narrative continuity is cast aside. After a long and difficult gestation of almost a year — forever by Hong Kong standards at the time — Dragon Lord was born.… (read more)
Something adorable happens when an imaginative kid is asked to tell a story. The child’s eyes light up, lungs are audibly inflated, and then —
“Alice woke up and left home with her best hat which was blue to go to the vet because her cat hurt its paw and on the way she saw her friend riding a new bike but before she could catch him he turned a corner and then she decided to borrow her sister’s rollerskates … (read more)
As the Shaw Brothers film studio business was winding down, resulting in an output of lesser quality than the preceding decades, The Eight Diagram Pole Fighter burst forth, a bellowing send-off for both a voluminous cycle of movies and a star who died too young. Bursting with vigour and capturing much of what made the studio and director famous, it never settles for imitating the past, still refining techniques and pushing new ideas.
This is not immediately evident as the … (read more)
Some movies opt for a mysterious title to incite audience interest, while some movies are more up front. Assassination is pretty up front. Yet there’s so much more to it than that one noun bluntly seems to state.
Director Choi Dong-hoon returns with another big-budget rollercoaster of a film, sharing many faces with his last feature The Thieves. Also similar to his previous hit is the basic structure of Assassination, with a large cast maneuvering their way to … (read more)
The whimsical opening music of Gorgeous accompanies the narration of a romantic legend, while the camera pans across a dazzling night sky. This is promptly followed by a CGI fish burp gag. It’s not a movie to be taken seriously, but still ultimately wants to be a fairytale romance at heart. I can’t believe I watched this with my brothers back in the day without squirming.
Innocent, starry-eyed, Taiwanese girl Bu (Shu Qi) strikes out for the big city with … (read more)
The Rebel is a fascinating viewing experience. The occasional Vietnamese film has made a name outside its homeland — we even have a few reviewed here on HC — but mostly we see the country through the filmic lens of western Vietnam war films. So it’s always interesting when a homegrown production comes along to lend its own voice to the conversation. When it’s as well-made as this film, it’s a pleasure to watch as well.
The Rebel goes back … (read more)