Project A is a highlight of Jackie Chan’s filmography, and the movie I use to introduce those unfamiliar with Hong Kong cinema to the many and varied delights it delivers. However, Project A: Part II is my favourite Jackie Chan movie. It is perhaps one of the purest displays of Jackie’s talent for creating intricate action and comedy scenes, displayed so clearly that the skill behind their construction is almost invisible.
As if as a reminder of the high bar … (read more)
Sammo Hung has embraced the fact he is a large fellow. Often giving his characters names that draw attention to his size — Teapot in Winners and Sinners or Moby in Wheels on Meals — or even referencing his physique in the title of the film itself — Enter the Fat Dragon or Skinny Tiger, Fatty Dragon — he has never allowed his decidedly non-traditional fighting frame to slow him down. This is amply apparent in Pedicab Driver.
Seconds … (read more)
The one chocolate that most reminds me of this movie is a jaffa. Hard and crunchy on the outside, soft and melty on the inside.
Chocolate was Yanin “Jija” (or “Jeeja”) Vismitananda’s debut film role and director Prachya Pinkaew, the late Panna Rittikrai, and team created a movie designed to showcase her talents, much like they did for Tony Jaa with Ong Bak. A fairly basic story, acted out fairly basically, sets up a goal for our hero to … (read more)
According to his autobiography, Chan first received the nickname “Jackie” at a job on a Canberra construction site while visiting his parents, who worked at the US embassy. Although the construction site fight is an action movie staple — along with the warehouse or factory fight — it seems fitting that this Australian set film’s best action scene take place in one.
The original title positions this as the fourth in Jackie’s Police Story series, but apart from Stanley Tong returning as director after Police Story 3: Supercop and Bill Tung appearing in a few brief scenes as Jackie’s senior in the Hong Kong police, there is no connection to the previous movies. This is surely deliberate, allowing Jackie’s first American release post Rumble in the Bronx to build on the momentum begun by that film, without being billed as the fourth … (read more)