For those who mark time in the West, 1989 was a common year, 365 days long. For Japan however, it was two years in one. The Japanese calendar is based on periods or eras, marked for every year of an emperor. 1989 was the year that Emperor Hirohito, the ruler that had seen the nation both into and out of the Second World War and beyond, died at the age of 87. He passed away on January 7, one week … (read more)
Director Keishi Otomo, whose brilliant Rurouni Kenshin trilogy was probably one of the best anime/manga adaptations to hit our screens in the last decade, exhibits an equal amount of mastery over thriller genre mise-en-scène in his latest film Top Secret: Murder in Mind, but it seems in this case he perhaps needed a better screenplay writer. Or maybe Japanese action cinema just has to more seriously consider spanning manga/anime adaptations across more than one movie as a default setting, … (read more)
Art thief adventure series Lupin III and frenetic cult director Ryuhei Kitamura (Godzilla: Final Wars, Versus) seems like it could be a match made in heaven. Kitamura is known for his energetic, reality defying, somewhat gaggy but exceedingly enjoyable action movies, and Lupin is known for his energetic, law-enforcement defying, seemingly impossible but somehow charming art heists. The combination in this 2014 live action movie makes for a moderately fun crime thriller that is never too serious … (read more)
I’ll be upfront with you; I’m not going to review Rurouni Kenshin: Kyoto Inferno and Rurouni Kenshin: The Legend Ends separately. Considering how close together their theatrical releases in Japan were, it could be argued they’re just one film with about a month long intermission (if you’re old enough to remember those). Also considering the cliff-hanger Kyoto Inferno ends on Empire Strikes Back style I’d also run a much bigger risk of spoiling far too many things if I … (read more)
Although the theme for the Sunrise/Shochiku multimedia project Short Peace was apparently “Japan” it seems to me that the ‘peace’ part of the title is far more telling, because in one way or another each short in this 4-film anthology is about conflict. Not only that, but unless I’m reading far too much into it, there is something to be learned from each of these battles.
The first cab off the rank after the energetically ethereal opening title sequence is … (read more)
I’ll admit, I decided to go to see the sequel to the surprisingly entertaining Thermae Romae with some trepidation. Basically I’m not a fan of comedies in general, so that I enjoyed the first film made a few of my friends check to make sure I was still the same person. I’m seriously considering not telling them that I enjoyed the sequel almost as much.
Although, perhaps that was a no-brainer. There’s no surprises in this follow up — it’s … (read more)
One of the joys of the Japanese Film Festival every year for me is discovering the unexpected gem. Film festivals are of course great for those films that you’ve heard about and been dying to see that will likely never make it to your local cinema, but I always make a point of picking a few random films as well — films that I’ve heard nothing about; often films that I don’t even bother to read the synopsis for. Without … (read more)