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	<title>John Snadden &#8211; Heroic Cinema</title>
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	<description>The guide to Asian movies in Australia</description>
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		<title>When Fortune Smiles: The Life and Times of Raymond Chow and Golden Harvest</title>
		<link>https://www.heroic-cinema.com/2020/05/when-fortune-smiles-the-life-and-times-of-raymond-chow-and-golden-harvest/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Mon, 04 May 2020 14:09:40 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<guid isPermaLink="false">http://www.heroic-cinema.com/?p=17115</guid>

					<description><![CDATA[Raymond Chow in 2013



<p class="wp-block-paragraph">Raymond Chow, a major figure in world cinema, died on 2 November 2018. He was the co-founder and public face of the Hong Kong based Golden Harvest Film Company. From 1970-2003, Golden Harvest produced approximately 600 feature films, and through its theatrical arm distributed nearly as many titles again. From the mid-1980s, Golden Harvest became the most prosperous and prolific movie business in South East Asia, supplanting the once all-powerful Shaw Brothers Studio.</p>



<p class="wp-block-paragraph">Raymond Chow and &#8230; <a href="https://www.heroic-cinema.com/2020/05/when-fortune-smiles-the-life-and-times-of-raymond-chow-and-golden-harvest/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">17115</post-id>	</item>
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		<title>Believer (2018)</title>
		<link>https://www.heroic-cinema.com/reviews/believer-2018/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Mon, 10 Sep 2018 12:46:42 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13776</guid>

					<description><![CDATA[<p>I have said previously that film remakes are often problematic. When I first heard that Johnnie To&#8217;s crime drama <em><a href="http://www.heroic-cinema.com/reviews/drug-war-2012/">Drug War</a> </em>(2012) was to be remade as a South Korean production, I&#8217;ll admit it wasn&#8217;t joyous news (at least it stopped Hollywood from turning it into a <em>Bourne </em>movie). But a good trailer and a strong cast gave me some hope. The latter wasn&#8217;t misplaced and <em>Believer </em>is actually an excellent crime movie. Director Lee Hae-yeong has done a great &#8230; <a href="https://www.heroic-cinema.com/reviews/believer-2018/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13776</post-id>	</item>
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		<title>A Better Tomorrow 2018 (2018)</title>
		<link>https://www.heroic-cinema.com/reviews/a-better-tomorrow-2018-2018/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Fri, 09 Feb 2018 22:40:00 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13603</guid>

					<description><![CDATA[<p>Before watching the new Mainland release, <em>A Better Tomorrow 2018</em>, I was wondering why the world of cinema needed such a remake. I was still asking myself the same question after seeing this movie last week.</p>
<p>Film remakes are problematic at the best of times, and Hollywood is an industry leader at producing the best in bad remakes. My recent favourite titles in this sub-genre are Tony Scott&#8217;s <em>Taking of Pelham 1,2,3</em>, and Simon West&#8217;s <em>The Mechanic</em>. &#8230; <a href="https://www.heroic-cinema.com/reviews/a-better-tomorrow-2018-2018/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13603</post-id>	</item>
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		<title>Our Time Will Come (2017)</title>
		<link>https://www.heroic-cinema.com/reviews/our-time-will-come-2017/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Tue, 19 Dec 2017 07:32:23 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13556</guid>

					<description><![CDATA[<p>Most film-makers have filmographies which consist of peaks and troughs, usually ranging from the very good to the forgettable. But not Cantonese director Ann Hui On-Wah, who over a thirty-plus year career has regularly made movies of the highest standard, both commercially and artistically. Her last film <em><a href="http://www.heroic-cinema.com/reviews/the-golden-era-2014/">The Golden Era</a></em> was a rare misstep in this gilded career. The good news is her latest release, <em>Our Time Will Come</em> is a reassuring return to form.</p>
<p></p>
<p><em>Our Time Will Come</em> is &#8230; <a href="https://www.heroic-cinema.com/reviews/our-time-will-come-2017/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13556</post-id>	</item>
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		<title>I Am Not Madame Bovary (2016)</title>
		<link>https://www.heroic-cinema.com/reviews/i-am-not-madame-bovary-2016/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Fri, 03 Feb 2017 22:16:15 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13312</guid>

					<description><![CDATA[<p>As I see it, the new Chinese film, <em>I Am Not Madame Bovary</em>, from director Feng Xiaogang is his best film to date, and easily the best new release I saw in 2016. There&#8217;s not a moment in this movie which I didn&#8217;t fully enjoy, and to watch Sino actress Fan Bingbing in, possibly, the role of her career &#8212; well, that was a pure delight.</p>
<p>This Mandarin language film was ignored by Australia&#8217;s mainstream media on its theatrical &#8230; <a href="https://www.heroic-cinema.com/reviews/i-am-not-madame-bovary-2016/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13312</post-id>	</item>
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		<title>Dearest (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/dearest-2014/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Sat, 04 Jun 2016 08:02:48 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13062</guid>

					<description><![CDATA[<p>I keep on coming back to one particular word when describing the 2014 mainland drama <em>Dearest</em> &#8212; and that word is unsettling. There&#8217;s also a subversive thread running through this movie which subtly but resolutely questions the ability of China&#8217;s government to comprehend and to act on very complicated legal and emotional issues. <em>Dearest</em> is about child-stealing and is based on a case which caught the public&#8217;s attention in 2009.</p>
<p>The film&#8217;s director, Peter Chan, is one of a small &#8230; <a href="https://www.heroic-cinema.com/reviews/dearest-2014/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13062</post-id>	</item>
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		<title>Lost in Hong Kong (2015)</title>
		<link>https://www.heroic-cinema.com/reviews/lost-in-hong-kong-2015/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Tue, 20 Oct 2015 08:44:14 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12924</guid>

					<description><![CDATA[<p>I will admit to not having been in a big hurry to see this film, as I had recently watched <em>Lost in Thailand</em>, the second entry in this loosely-connected series. I can only describe that feature as being interminably long and totally unfunny &#8212; not good descriptions for a comedy. Also, I wasn&#8217;t a fan of mainland star and director Xu Zheng, but I do like Zhao Wei and her recent films have been so varied (<em>Dearest, Hollywood </em>&#8230; <a href="https://www.heroic-cinema.com/reviews/lost-in-hong-kong-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12924</post-id>	</item>
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		<title>An Inspector Calls (2015)</title>
		<link>https://www.heroic-cinema.com/reviews/an-inspector-calls-2015/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Sun, 21 Jun 2015 00:08:27 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12746</guid>

					<description><![CDATA[<p>One of this year&#8217;s biggest Chinese New Year film releases has belatedly arrived in Melbourne&#8217;s Chinatown Cinema for a short season. Well, better late than never I suppose. A successful Chinese New Year movie will nearly always have the following ingredients: it must be family oriented, have big name stars, countless celebrity cameos and story-lines guaranteed not to tax the intellect.</p>
<p><em>An Inspector Calls</em> is a strange choice for a Hong Kong movie, let alone a major Chinese New Year &#8230; <a href="https://www.heroic-cinema.com/reviews/an-inspector-calls-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12746</post-id>	</item>
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		<title>Helios (2015)</title>
		<link>https://www.heroic-cinema.com/reviews/helios-2015/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Fri, 08 May 2015 09:09:33 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12687</guid>

					<description><![CDATA[<p>After experiencing the boorish and juvenile jingoism of Wu Jing&#8217;s <em>Wolf Warrior</em>, I was looking forward to the new big budget HK movie, <em>Helios</em>&#8230; although I was a bit wary of the fact that its release date had been put back three times in the past six months. From directors Sunny Luk and Longman Leung (<em><a href="http://www.heroic-cinema.com/reviews/cold-war-2012/">Cold War</a></em>), <em>Helios</em> starts well but fades quickly.</p>
<p>The film opens with the theft of a South Korean manufactured nuclear dirty &#8230; <a href="https://www.heroic-cinema.com/reviews/helios-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12687</post-id>	</item>
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		<title>Coming Home (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/coming-home-2014/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Sat, 07 Feb 2015 21:46:25 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12626</guid>

					<description><![CDATA[<p><em>Coming Home </em>is the latest Zhang Yimou-Gong Li screen collaboration, and it reminds me of their great films from the 1990s. In <em>Coming Home</em> Gong Li once again shows that she is one of the world&#8217;s most gifted actors.</p>
<p>Director Zhang Yimou&#8217;s recent film-making has kept him busy, but mainly in a workmanlike way. International hits such as the Grand Guignol of <em><a title="Curse of the Golden Flower (2006)" href="http://www.heroic-cinema.com/reviews/curse-of-the-golden-flower-2006/">Curse of the Golden Flower</a></em> and the arthouse-wuxia pics <em><a title="Hero (2002)" href="http://www.heroic-cinema.com/reviews/hero-2002/">Hero</a></em> and <em><a title="House of Flying Daggers (2004)" href="http://www.heroic-cinema.com/reviews/house-of-flying-daggers-2004/">House of Flying Daggers</a></em> have kept his &#8230; <a href="https://www.heroic-cinema.com/reviews/coming-home-2014/" class="read-more">(read more) </a></p>]]></description>
		
		
		
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		<title>Brotherhood of Blades (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/brotherhood-of-blades-2014/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Thu, 13 Nov 2014 08:24:54 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12568</guid>

					<description><![CDATA[<p><em>Brotherhood of Blades</em> is one of the best Chinese martial-arts films to have graced our cinema screens for quite some time. The movie boasts a volatile mix of quasi 17th century Chinese history, political paranoia and deadly palace conspiracies. With an individual emphasis on ornate film sets, power-crazed eunuchs, sadistic secret police and a trio of Ming Dynasty elite killers, there&#8217;s much here reminiscent of the best of the Shaw Brothers&#8217; swordplay films.</p>
<p>The movie&#8217;s main focus is on the &#8230; <a href="https://www.heroic-cinema.com/reviews/brotherhood-of-blades-2014/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12568</post-id>	</item>
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		<title>The Golden Era (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/the-golden-era-2014/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Tue, 21 Oct 2014 01:59:07 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12473</guid>

					<description><![CDATA[<p>After sitting through all 179 minutes of this new Chinese release one question occupied my mind: how did a director of the calibre of Ann Hui become involved in such a road wreck of a movie? Obviously the people behind this mainland production were seeking the artistic cachet that Hui&#8217;s name would give the film. Instead, <em>The Golden Era</em> resembles the leaden propaganda of the 2009 pic <em><a title="The Founding of a Republic (Jain Guo da Ye) (2009)" href="http://www.heroic-cinema.com/reviews/the-founding-of-a-republic-jain-guo-da-ye-2009/">The Founding of a Republic</a></em>.</p>
<p>The film recounts the short and often &#8230; <a href="https://www.heroic-cinema.com/reviews/the-golden-era-2014/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12473</post-id>	</item>
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		<title>The White Haired Witch of Lunar Kingdom (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/the-white-haired-witch-of-lunar-kingdom-2014/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Sun, 10 Aug 2014 11:54:15 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12302</guid>

					<description><![CDATA[<p>China&#8217;s big summer release for 2014 is <em>The White Haired Witch of Lunar Kingdom</em>, based on the popular 1950s tome <em>Baifa Monu Zhan</em> written by Liang Yusheng. Its most recent and most favoured screen version is the 1993 Hong Kong pic <em><a href="http://www.heroic-cinema.com/reviews/bride-with-white-hair-the-1993/" title="The Bride with White Hair (1993)">The Bride With White Hair</a></em>, directed by Ronny Yu and starring Brigitte Lin and Leslie Cheung in a beautifully lensed tale of romantic obsession amidst the clan wars during the Ming Dynasty. Like the mystical flower of &#8230; <a href="https://www.heroic-cinema.com/reviews/the-white-haired-witch-of-lunar-kingdom-2014/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12302</post-id>	</item>
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		<title>Enchanting Shadows: The Films of the Shaw Brothers</title>
		<link>https://www.heroic-cinema.com/2014/03/enchanting-shadows-the-films-of-the-shaw-brothers/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Fri, 14 Mar 2014 07:31:25 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hong Kong]]></category>
		<category><![CDATA[Shaw Brothers]]></category>
		<guid isPermaLink="false">http://www.heroic-cinema.com/?p=11905</guid>

					<description><![CDATA[<p>The recent passing of Chinese business tycoon Run Run Shaw was an event well covered by the world&#8217;s media. The obituaries for the 106 year old entrepreneur mainly concentrated on his business acumen and life-long philanthropy.</p>
<p>Like many successful industrialists, Run Run Shaw&#8217;s public largess would not have been possible without the profits generated by his companies, in particular the Shaw Brothers movie studio.</p>
<p>For more than a twenty year period from the late 1950s, Run Run Shaw helped create &#8230; <a href="https://www.heroic-cinema.com/2014/03/enchanting-shadows-the-films-of-the-shaw-brothers/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">11905</post-id>	</item>
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		<title>Firestorm (2013)</title>
		<link>https://www.heroic-cinema.com/reviews/firestorm-2013/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Mon, 16 Dec 2013 09:58:35 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=11712</guid>

					<description><![CDATA[<p>The night I saw <em> Firestorm, </em>I was surprised that there were no posters or advertising material on display in the theatre for this new big-budget Hong Kong film. And I was even more surprised to see at the main entrance of the Century City multiplex an over-sized poster for Feng Xiaogang&#8217;s new movie <em>Personal Tailor &#8211; </em>which has yet to be released! Two hours later, I had a much better understanding of why there was a lack of advertising for &#8230; <a href="https://www.heroic-cinema.com/reviews/firestorm-2013/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">11712</post-id>	</item>
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		<title>Long Arm of the Law (1984)</title>
		<link>https://www.heroic-cinema.com/reviews/long-arm-of-the-law-1984/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Mon, 21 Oct 2013 07:39:51 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=11467</guid>

					<description><![CDATA[<p>Johnny Mak&#8217;s powerful 1984 crime film <em>Long Arm of The Law</em> was a film for its time and a big box-office hit that year. Nearly thirty years later it stands the test of time extremely well and looks to be having a new lease on life, with recent incarnations on Blu-Ray, DVD and theatrically.</p>
<p>For Australian audiences, <em>Long Arm of The Law</em> is part of Brisbane&#8217;s Gallery of Modern Art (GOMA) <em><a title="Action, Hong Kong Style at GOMA (Brisbane, 6 Sep to 8 Nov)" href="http://www.heroic-cinema.com/2013/08/action-hong-kong-style-at-goma/">Action, Hong Kong Style</a></em> film programme which is, without &#8230; <a href="https://www.heroic-cinema.com/reviews/long-arm-of-the-law-1984/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">11467</post-id>	</item>
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		<title>The Tower (2012)</title>
		<link>https://www.heroic-cinema.com/reviews/the-tower-2012/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Tue, 13 Aug 2013 11:59:33 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=11233</guid>

					<description><![CDATA[<p><em>The Tower</em> is South Korea&#8217;s first attempt at a full-on disaster movie, and overall it&#8217;s pretty good but does bear a strong resemblance to the Hollywood pic <em>The Towering Inferno</em>, widely seen as the peak title in this 1970s movie subgenre.</p>
<p>It&#8217;s also the latest film from director Kim Ji-hoon, whose most recent pic was the underwater-monster feature <em><a href="http://www.heroic-cinema.com/reviews/sector-7-2011/" title="Sector 7 (2011)">Sector 7</a></em>, which did big business at the box-office.</p>
<p>Christmas Eve in Seoul sees the public debut of the Tower &#8230; <a href="https://www.heroic-cinema.com/reviews/the-tower-2012/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">11233</post-id>	</item>
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		<title>Drug War (2012)</title>
		<link>https://www.heroic-cinema.com/reviews/drug-war-2012/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Fri, 10 May 2013 12:00:07 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=10877</guid>

					<description><![CDATA[<p>In just under twelve months, I&#8217;ve had the good fortune to have watched three superb new release Asian crime movies. In my opinion, they mark a turning point in their respective film cultures. The films are: from India, <em><a title="Gangs of Wasseypur (2012)" href="http://www.heroic-cinema.com/reviews/gangs-of-wasseypur-2012/">Gangs of Wasseypur</a></em>, a very un-Bollywood-like crime saga which chronicles a century long blood feud; the Chinese feature <em><a title="Lethal Hostage (2012)" href="http://www.heroic-cinema.com/reviews/lethal-hostage-2012/">Lethal Hostage</a></em> from wannabe auteur Cheng Er; and Johnnie To&#8217;s first mainland produced and financed cop drama, <em>Drug War</em>. More on the &#8230; <a href="https://www.heroic-cinema.com/reviews/drug-war-2012/" class="read-more">(read more) </a></p>]]></description>
		
		
		
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		<title>The Thieves (2012)</title>
		<link>https://www.heroic-cinema.com/reviews/the-thieves-2012/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Sun, 31 Mar 2013 05:21:42 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=10758</guid>

					<description><![CDATA[<p>One of the most enjoyable times I spent in the cinema last year was watching the big-budget, star-studded, South Korean caper flick, <em>The Thieves</em> &#8212; where the energy, humour and all-round film-making smarts were a joy to experience.</p>
<p>Sold nearly everywhere as an Asian version of Hollywood&#8217;s <em>Oceans</em> franchise &#8211; well, that&#8217;s called marketing. As I saw it, <em>The Thieves</em> was a surprisingly effective counterpoint to the lethargic, middle-aged preening of director Soderbergh and his precious stars.</p>
<p>A nifty theft &#8230; <a href="https://www.heroic-cinema.com/reviews/the-thieves-2012/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10758</post-id>	</item>
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		<title>Lethal Hostage (2012)</title>
		<link>https://www.heroic-cinema.com/reviews/lethal-hostage-2012/</link>
		
		<dc:creator><![CDATA[John Snadden]]></dc:creator>
		<pubDate>Tue, 22 Jan 2013 07:19:02 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=10619</guid>

					<description><![CDATA[<p>With a title which sounds more like a low-budget straight-to-DVD feature, mainland director Cheng Er has created a major film which deserves an audience outside China. <em>Lethal Hostage</em> is an inventive and meticulously crafted crime drama set on the China-Burma border.</p>
<p>The story opens with a father who has just been released from jail meeting his only daughter {May Wang) who he hasn&#8217;t seen for over ten years. As a child, the daughter was kidnapped by a drug dealer (Sun &#8230; <a href="https://www.heroic-cinema.com/reviews/lethal-hostage-2012/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10619</post-id>	</item>
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