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	<title>Japan &#8211; Heroic Cinema</title>
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	<link>https://www.heroic-cinema.com</link>
	<description>The guide to Asian movies in Australia</description>
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		<title>Godzilla Minus One (2023)</title>
		<link>https://www.heroic-cinema.com/reviews/godzilla-minus-one-2023/</link>
		
		<dc:creator><![CDATA[Andrew]]></dc:creator>
		<pubDate>Fri, 29 Dec 2023 12:47:37 +0000</pubDate>
				<guid isPermaLink="false">https://www.heroic-cinema.com/?post_type=reviews&#038;p=22078</guid>

					<description><![CDATA[<p class="wp-block-paragraph">It&#8217;s been a big final month of 2023 for overseas fans of Asian cinema, with some all-stars bringing their game to cinemas. John Woo returns to American movies again with <em>Silent Night</em>. Hayao Miyazaki simply returns, with <em>The Boy and the Heron</em>. And with a name even more well known than those cinema legends, the kaiju king, the monarch of monsters, returns yet again. Godzilla is back.</p>



<p class="wp-block-paragraph">For context, this reviewer dipped into the Godzilla back catalogue for &#8230; <a href="https://www.heroic-cinema.com/reviews/godzilla-minus-one-2023/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">22078</post-id>	</item>
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		<title>Bubble (2022)</title>
		<link>https://www.heroic-cinema.com/reviews/bubble-2022/</link>
		
		<dc:creator><![CDATA[Andrew]]></dc:creator>
		<pubDate>Sat, 13 Aug 2022 11:53:52 +0000</pubDate>
				<guid isPermaLink="false">https://www.heroic-cinema.com/?post_type=reviews&#038;p=20028</guid>

					<description><![CDATA[<p>Spoiler warning: this film gives away the ending of The Little Mermaid. Not the Disney film, but the rather different ending of the Hans Christian Andersen version of the story. The reason for said spoiling is because &#8212; among the heady cosmological concepts, post-apocalyptic parkour races, teenage anime angst and energetic music &#8212; the dramatic question at the heart of all this hullabaloo is how far <em>Bubble</em> will adhere to, or diverge from, The Little Mermaid’s fate as Andersen told &#8230; <a href="https://www.heroic-cinema.com/reviews/bubble-2022/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">20028</post-id>	</item>
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		<title>Mirai (2018)</title>
		<link>https://www.heroic-cinema.com/reviews/mirai-2018/</link>
		
		<dc:creator><![CDATA[Andrew]]></dc:creator>
		<pubDate>Sat, 12 Mar 2022 12:55:37 +0000</pubDate>
				<guid isPermaLink="false">https://www.heroic-cinema.com/?post_type=reviews&#038;p=19605</guid>

					<description><![CDATA[<p>This movie&#8217;s central character is not the title character. It&#8217;s a lad aged about four named Kun (Moka Kamishiraishi). While it is his journey and growth in maturity the film chiefly follows, his whole family also has to adapt and change and it&#8217;s all thanks to their newest member, baby Mirai.</p>
<p>The features from director Mamoru Hosoda and team have been consistently good and occasionally great, and with <em>Mirai</em> Studio Chizu has created a film both <em>for</em> all ages and &#8230; <a href="https://www.heroic-cinema.com/reviews/mirai-2018/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">19605</post-id>	</item>
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		<title>Blood of Wolves (2018)</title>
		<link>https://www.heroic-cinema.com/reviews/blood-of-wolves-2018/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Fri, 30 Nov 2018 22:31:23 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13870</guid>

					<description><![CDATA[<p>You only have to do a little digging to come to the understanding that the origins and history of the yakuza aren&#8217;t necessarily written in stone. Sources conflict about how they began – as ronin or samurai family retainers, or special police formed to fight organised crime – but most sources can agree that regardless of where they started, their main characteristics involved crime, violence, and their own specific set of codes and rules.</p>
<p><em>Blood of Wolves</em> maintains this essence &#8230; <a href="https://www.heroic-cinema.com/reviews/blood-of-wolves-2018/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13870</post-id>	</item>
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		<title>Shoplifters (2018)</title>
		<link>https://www.heroic-cinema.com/reviews/shoplifters-2018/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Mon, 19 Nov 2018 09:41:47 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13849</guid>

					<description><![CDATA[<p>Imagine, if you will, a movie where nothing much happens. Now, imagine being captivated by it. Now imagine going away feeling like you just witnessed some of the best, most wonderful cinema you&#8217;ve seen in a while. A long while. That feeling? That&#8217;s the Kore-eda effect.</p>
<p>Okay, fine, it&#8217;s not like Hirokazu Kore-eda is the <em>only </em>director who has the deftness and sensitivity to take the mundane and make it watchable without going over the edge into sentimentality and melodrama, &#8230; <a href="https://www.heroic-cinema.com/reviews/shoplifters-2018/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13849</post-id>	</item>
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		<title>The Third Murder (2017)</title>
		<link>https://www.heroic-cinema.com/reviews/the-third-murder-2017/</link>
		
		<dc:creator><![CDATA[Elizabeth Kerr]]></dc:creator>
		<pubDate>Mon, 19 Nov 2018 09:41:12 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13858</guid>

					<description><![CDATA[<p>You can call Hirokazu Kore-eda a lot of things: pretentious, navel-gazing, somnolent, repetitive, poetical and astute is just a handful. “Genre master” is most definitely not among them. Regardless of this minor hurdle, Kore-eda dips his toes into Lumet territory for his latest, <em>The Third Murder</em>. Even if you can conjure a marriage between Kore-eda’s signature deliberate, piercing, languid aesthetic and the conventional beats demanded of a murder mystery you wouldn’t be able to entirely capture the essence of &#8230; <a href="https://www.heroic-cinema.com/reviews/the-third-murder-2017/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13858</post-id>	</item>
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		<title>The Crimes That Bind (2018)</title>
		<link>https://www.heroic-cinema.com/reviews/the-crimes-that-bind/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Sun, 04 Nov 2018 06:29:30 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13829</guid>

					<description><![CDATA[<p><em>(Ed: some might consider the following review to have some small spoilers. If you&#8217;re worried about that, go and catch it at the <a href="https://japanesefilmfestival.net">Japanese Film Festival</a> and then come back and read our review!)</em></p>
<p>The mundane routine of actual police work has never been something that takes front and centre stage on our screens. From the days of the gumshoe detective, to the <em>Lethal Weapons</em>, to <em>Miami Vice</em> and NYPDCSINCIS, being a detective and hunting killers is exciting, dangerous, &#8230; <a href="https://www.heroic-cinema.com/reviews/the-crimes-that-bind/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13829</post-id>	</item>
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		<title>Your Name (2016)</title>
		<link>https://www.heroic-cinema.com/reviews/your-name-2016/</link>
		
		<dc:creator><![CDATA[Andrew]]></dc:creator>
		<pubDate>Mon, 16 Jul 2018 11:03:00 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13733</guid>

					<description><![CDATA[<p>Stunning skyscapes. The beauty in everyday things and moments. Close ups of mobile phones. The contrast between light and shade. Separation, longing, regret. Yep, it&#8217;s a Makoto Shinkai movie.</p>
<p></p>
<p><em>Your Name </em>concerns the growing relationship between high schoolers Mitsuha (Mone Kamishiraishi), a girl from a lakeside township and Taki (Ryunosuke Kamiki), a boy from bustling Tokyo. The catch is, they have never met. Each has what they first believe is a dream, walking a mile in the other&#8217;s shoes &#8212; &#8230; <a href="https://www.heroic-cinema.com/reviews/your-name-2016/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13733</post-id>	</item>
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		<title>Downrange (2017)</title>
		<link>https://www.heroic-cinema.com/reviews/downrange-2017/</link>
		
		<dc:creator><![CDATA[Elizabeth Kerr]]></dc:creator>
		<pubDate>Thu, 16 Nov 2017 21:41:26 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13539</guid>

					<description><![CDATA[<p>Like so many Asian directorial superstars before him (mostly in genre films), Kitamura Ryuhei has kind of gone Hollywood — or at he’s least tried to. In his defence, he’s doing better than most. Not quite as well as Oscar-winner Ang Lee, but not yet reduced to hired gun on B-grade schlock à la Ringo Lam (sad trombone sound). Still best known for <em>Versus</em> and <em>Godzilla: Final Wars</em>, Kitamura’s third English-language film (after <em>Midnight Meat Train</em> and <em>No One </em>&#8230; <a href="https://www.heroic-cinema.com/reviews/downrange-2017/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13539</post-id>	</item>
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		<title>Mumon Land of Stealth (2017)</title>
		<link>https://www.heroic-cinema.com/reviews/mumon-land-of-stealth-2017/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Sat, 28 Oct 2017 21:43:49 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13517</guid>

					<description><![CDATA[<p>Call it a coming of age story if you want. The Peter Pan of ninjas can play all day and never take things too seriously. Until he has to. Call it a round-about revenge tale, or even a moral play. It is a little Shakespearean in its developments, and its style of humour (and a brilliant momentary break in the fourth wall) certainly does justice to the Bard. Or call it, perhaps most importantly, a serious Japanese contender for Guy &#8230; <a href="https://www.heroic-cinema.com/reviews/mumon-land-of-stealth-2017/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13517</post-id>	</item>
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		<title>A Silent Voice (2016)</title>
		<link>https://www.heroic-cinema.com/reviews/a-silent-voice-2016/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Thu, 13 Apr 2017 23:22:21 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13397</guid>

					<description><![CDATA[<p>Two thirds psychological study on bullying and disability, one third first love romance (and I&#8217;ll use that term very lightly here), <em>A Silent Voice</em>, based on the highly-acclaimed manga by Yoshitoki Oima, plots the unexpected turn that lives can take on, if not the simplest then at least the most uninformed of choices. To its great credit, however, it doesn&#8217;t in any way sugar coat the fact that some of those turns can get ugly, can have consequences we &#8230; <a href="https://www.heroic-cinema.com/reviews/a-silent-voice-2016/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13397</post-id>	</item>
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		<title>Harmony (2015)</title>
		<link>https://www.heroic-cinema.com/reviews/harmony-2015/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Sat, 25 Feb 2017 07:44:07 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13346</guid>

					<description><![CDATA[<p>Better living through technology. But at what price? In the best tradition of classic speculative science fiction, Studio 4°C&#8217;s animated film <em>Harmony</em>, based on the novel by Project Itoh, examines this question through a mirror darkly. In the future, the world has been reduced by nuclear war and illness into sterile country states complete with regulated borders. Inside those borders, the Admedistration (not a typo) and a militarised version of the World Health Organisation ensure that all good citizens &#8230; <a href="https://www.heroic-cinema.com/reviews/harmony-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13346</post-id>	</item>
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		<title>Creepy (2016)</title>
		<link>https://www.heroic-cinema.com/reviews/creepy-2016/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Wed, 07 Dec 2016 06:56:19 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13272</guid>

					<description><![CDATA[<p>It&#8217;s not that I live on a diet of serial killer movies and thriller novels. I did read <em>Silence of the Lambs</em> once, so I would never consider myself an expert, but for some reason – maybe the title, or maybe the fact that plenty of other Kiyoshi Kurosawa films (like <em>Retribution</em> and <a href="http://www.heroic-cinema.com/reviews/real-2013/"><em>Real </em></a>to name just a couple) have been fairly hair-raising – I did in all honesty expect this 2016 murder thriller <em>Creepy</em> to be far <em>creepier</em>. &#8230; <a href="https://www.heroic-cinema.com/reviews/creepy-2016/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13272</post-id>	</item>
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		<title>Empire of Corpses (2015)</title>
		<link>https://www.heroic-cinema.com/reviews/empire-of-corpses-2015/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Sat, 19 Nov 2016 11:28:16 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13253</guid>

					<description><![CDATA[<p>So, I&#8217;ve discovered a concept more disturbing than a zombie apocalypse, and of course it&#8217;s all thanks to anime. Well, anime and maybe Mary Shelley, and at a guess, cancer. <em>Empire of Corpses</em> was science and speculative fiction author Project Itoh&#8217;s (aka Satoshi Itoh) last, unfinished novel. He died of cancer in 2009 at the very young age of 34, and it&#8217;s perhaps no surprise that what he was writing immediately before his death was a somewhat hauntingly desperate, slightly &#8230; <a href="https://www.heroic-cinema.com/reviews/empire-of-corpses-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13253</post-id>	</item>
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		<title>Six Four (2016)</title>
		<link>https://www.heroic-cinema.com/reviews/six-four-2016/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Mon, 14 Nov 2016 07:39:06 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13230</guid>

					<description><![CDATA[<p>For those who mark time in the West, 1989 was a common year, 365 days long. For Japan however, it was two years in one. The Japanese calendar is based on periods or eras, marked for every year of an emperor. 1989 was the year that Emperor Hirohito, the ruler that had seen the nation both into and out of the Second World War and beyond, died at the age of 87. He passed away on January 7, one week &#8230; <a href="https://www.heroic-cinema.com/reviews/six-four-2016/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13230</post-id>	</item>
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		<title>Top Secret: Murder in Mind (2016)</title>
		<link>https://www.heroic-cinema.com/reviews/top-secret-murder-in-mind/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Sat, 29 Oct 2016 00:11:44 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13216</guid>

					<description><![CDATA[<p>Director Keishi Otomo, whose brilliant <em><a href="http://www.heroic-cinema.com/reviews/rurouni-kenshin-2012/">Rurouni</a> <a href="http://www.heroic-cinema.com/reviews/rurouni-kenshin-2-3-2014/">Kenshin</a></em> trilogy was probably one of the best anime/manga adaptations to hit our screens in the last decade, exhibits an equal amount of mastery over thriller genre mise-en-scène in his latest film <em>Top Secret: Murder in Mind</em>, but it seems in this case he perhaps needed a better screenplay writer. Or maybe Japanese action cinema just has to more seriously consider spanning manga/anime adaptations across more than one movie as a default setting, &#8230; <a href="https://www.heroic-cinema.com/reviews/top-secret-murder-in-mind/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13216</post-id>	</item>
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		<title>The Boy and the Beast (2015)</title>
		<link>https://www.heroic-cinema.com/reviews/the-boy-and-the-beast-2015/</link>
		
		<dc:creator><![CDATA[Deni]]></dc:creator>
		<pubDate>Fri, 01 Jul 2016 02:38:54 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=13101</guid>

					<description><![CDATA[<p>Mamoru Hosada has in some respects done what it seemed next to impossible to do a decade ago &#8212; make a name for himself in the Japanese animated feature film space. With the glut of <em>it&#8217;s-a-movie-of-the-series</em> films &#8212; understandably because that&#8217;s where the money&#8217;s at domestically &#8212; features that find their way beyond Japan&#8217;s borders and onto our cinema screens are a little few and far between and there are only a handful of directors known in the mainstream outside &#8230; <a href="https://www.heroic-cinema.com/reviews/the-boy-and-the-beast-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">13101</post-id>	</item>
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		<title>Bilocation (2013)</title>
		<link>https://www.heroic-cinema.com/reviews/bilocation-2013/</link>
		
		<dc:creator><![CDATA[Yee-Yin]]></dc:creator>
		<pubDate>Thu, 12 Nov 2015 09:42:59 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12948</guid>

					<description><![CDATA[<p>Mari Asato spins a new take on the well-worn theme of of doppelgängers in this creepy thriller. <em>Bilocation</em> is about an aspiring painter named Shinobu (Asami Mizukawa) and the harrowing discovery that she has an identical self who is traipsing around the city with a completely different will and in a parallel existence, totally unaware that she is just an apparition of the real copy.</p>
<p>Shinobu is a loner, preferring to spend her time in her studio painting, hoping to &#8230; <a href="https://www.heroic-cinema.com/reviews/bilocation-2013/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12948</post-id>	</item>
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		<title>When Marnie Was There (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/when-marnie-was-there-2015/</link>
		
		<dc:creator><![CDATA[Justin]]></dc:creator>
		<pubDate>Sun, 10 May 2015 06:31:31 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12693</guid>

					<description><![CDATA[<p><em><br />
Studio Ghibli&#8217;s latest animated feature, <strong>When Marnie Was There</strong>, is released in cinemas across Australia on the 14th of May, 2015. See cinema websites for screening details.<br />
</em></p>
<p>Animator and director Hiromasa Yonebayashi came to prominence in 2010 when he directed <em><a href="http://www.heroic-cinema.com/reviews/arrietty-2010/">Arrietty</a></em> for Studio Ghibli, becoming (at 37) the youngest director of a Ghibli feature film. He&#8217;s worked with Ghibli for a lot longer though: <a href="http://en.wikipedia.org/wiki/Hiromasa_Yonebayashi">Wikipedia lists him</a> as an animator on <em><a href="http://www.heroic-cinema.com/reviews/princess-mononoke-1997/">Princess Mononoke</a></em> in 1997 and a host of &#8230; <a href="https://www.heroic-cinema.com/reviews/when-marnie-was-there-2015/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12693</post-id>	</item>
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		<title>Snow on the Blades (2014)</title>
		<link>https://www.heroic-cinema.com/reviews/snow-on-the-blades-2014/</link>
		
		<dc:creator><![CDATA[Justin]]></dc:creator>
		<pubDate>Sun, 23 Nov 2014 00:49:59 +0000</pubDate>
				<guid isPermaLink="false">http://www.heroic-cinema.com/?post_type=reviews&#038;p=12580</guid>

					<description><![CDATA[<p><em>Snow on the Blades</em> is a contemplative, elegant drama set at the end of Japan&#8217;s feudal era, spanning the decline of the Tokugawa shogunate in the 1860s and the dawning of the Meiji period thereafter.</p>
<p>The story follows one Shimura Kingo (Kiichi Nakai), a young man whose family are samurai in service to Ii Naosuke, chief minister to the Shogun. A master swordsman, he has recently married and has been elevated to the position of chief bodyguard to the minister, &#8230; <a href="https://www.heroic-cinema.com/reviews/snow-on-the-blades-2014/" class="read-more">(read more) </a></p>]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12580</post-id>	</item>
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