I love wuxia movies — unlike fantasy settings in other cinemas, Hollywood for example, it has been a prominent mainstay of Chinese cinema for decades. For the uninitiated, think back to Crouching Tiger or 90s Hong Kong: period Chinese setting, murky political intrigues, heroic figures battling for a higher cause… or perhaps just for supremacy. There’s something about these worlds that draws you in, whether it’s via the lyricism and allegory of King Hu’s films, or the labyrinthine intrigue and … (read more)
An adaptation of a group of folk tales from Assam in India, Kothanodi is an intriguing confluence of old and new elements: traditional stories given a moody, modern interpretation, with the second half of the production funded via Indian crowdfunding platform Wishberry. It’s already screened at film festivals around the world (beginnings with its premiere at Busan in 2015), and it’s now being distributed directly by online platform MovieSaints, who kindly gave me the opportunity to review the film.… (read more)
Korean film watchers might have spotted the news that zombie film Train to Busan screamed past the 10 million domestic tickets mark on Sunday, becoming the fourteenth Korean film to do so, ever. From all accounts, it seems to have been a bit of an unexpected hit, too: the zombie genre hasn’t been explored (even done to death?) in South Korea as it has in Hollywood, and it’s the first live action film from director Yeon Sang-ho, whose previous … (read more)
I missed the third film in the Wilson Yip-directed, Donnie Yen-starring Ip Man series when it was in cinemas, so I was very happy to have a chance to review the upcoming Aussie DVD/Blu-ray release (available May 4 from Eastern Eye). Yen’s portrayal of Wing Chun grandmaster Ip Man as a quietly traditionalist, highly skilled master of his art has been his most popular role of the last decade or so. Aside from his transformation in the flawed but fun … (read more)
Sun Wukong returns to the big screen in The Monkey King 2, the follow-up film to director Cheang Pou-soi’s 2014 Monkey King feature film. Right on time for Chinese New Year in the year of the monkey, it’s exactly what you want in a New Year film: big, broad, comfortably familiar and filled with with ample amounts of comedy and spectacle.
The Target is screening at this year’s Korean Film Festival in Australia. See the KOFFIA website for more details!
The Target begins with a rainy cold-open in which Baek Yeo-hoon (Ryu Seung-ryong) staggers out of a building, a bullet wound in his stomach and a grizzled grimace on his face. He’s pursued by a couple of literally jackbooted thugs with guns who seem intent on finishing him off — and although Baek makes it out alive, he’s hospitalised. The credits … (read more)
Ten years ago in 2005, Hong Kong action film SPL arrived, suggesting a triumphant return to the sort of film that Hong Kong has always done better than pretty much any industry on the planet; beautifully cheoreographed and edited hard-action cinema, the sort that’s only possible when you have a cast of martial artists and an experienced crew that knows how to shoot them to maximum effect.
In the intro to my write up back then, I called it:
A … (read more)
My first film at this year’s Sydney Film Festival was Chaitanya Tamhane’s Court, an Indian film that packs a great deal of social commentary — with an intelligent, understated touch — into a courtroom drama.
Narayan Kamble (played by Vira Sathidar) is an ageing folk singer in Mumbai who divides his time between teaching in the surrounding cities and performing fiery protest songs on makeshift stages with a troupe of musicians. As the film opens, we see one such … (read more)