After the success of The Young Master, with its action stretching traditional kung fu choreography in unexpected directions, Jackie Chan pushed boundaries further in his follow-up film. Originally a sequel titled Young Master in Love, the experimental action maintains a thematic through-line with Jackie’s previous work, even as the narrative continuity is cast aside. After a long and difficult gestation of almost a year — forever by Hong Kong standards at the time — Dragon Lord was born.… (read more)
Project A is a highlight of Jackie Chan’s filmography, and the movie I use to introduce those unfamiliar with Hong Kong cinema to the many and varied delights it delivers. However, Project A: Part II is my favourite Jackie Chan movie. It is perhaps one of the purest displays of Jackie’s talent for creating intricate action and comedy scenes, displayed so clearly that the skill behind their construction is almost invisible.
As if as a reminder of the high bar … (read more)
All Men Are Brothers is another huge Chang Cheh-directed production from Shaws when they were at the height of their powers, with just about all their action stars and four of their action choreographers (including my favourite, Lau Kar Leung). It picks up its story from the same source as The Water Margin and doesn’t go to much trouble introducing the characters… so you’re advised to watch The Water Margin first, so you know why David Chiang has his own … (read more)