Donnie Yen returns to the big screen in Kung Fu Jungle, in the well-worn guise of a skilled martial artist brought low, doggedly chasing down a brilliant but broken adversary. Not that he’s been away for long; arguably the last big action star standing from Hong Kong’s golden years, he’s been working harder than ever, turning in a couple of huge films every year since the early 2000s, often as action choreographer as well.
In this film, director Teddy … (read more)
Jia Zhangke is almost bulletproof. He’s attained a status akin to Wong Kar-wai or Michael Haneke wherein critics fall all over themselves to fawn over the brilliance and daring of their Art and anyone who disagrees is a Hollywoodised philistine. What many people — writers, academics, occasionally filmgoers — forget is that movies are the Shakespeare of our time: mass entertainments that may have a deep message for those seeking it. The key there is “mass”, and if no one’s … (read more)