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Hiroyuki Nakano’s Stereo Future can quite confidently be described by something that might have seemed a bit of paradox had it been applied to just about any other film.

Fresh and funky.

And it even manages beautiful and charming too, but maybe it’s all due to the fact that the film doesn’t try too hard, somehow speaking without saying all that much. Hiroyuki Nakano paints with a light hand, using the far greater weight of colour, music and the lush … (read more)