Sion Sono’s Why Don’t You Play in Hell is, I think, a little like modern art – staring at it, you’re pretty sure you’re missing the point. Not that Sono’s work has necessarily been thematically deep to date, but it’s hard to look at a film about a filmmaker making a film without trying to read into it a little industry commenatary. The problem is, if you are, it’s difficult to work out what the hell Sono is trying to … (read more)
It’s been a while since I last saw a film coming out of Japan that I have found truly inventive, truly exciting and truly satisfying. Perhaps not since Love Exposure, the 4-hour masterpiece from Sion Sono, way back in 2008. So I can’t express how grateful I am to the Japanese Film Festival for the opportunity to see The Brain Man, the latest film from Tomoyuki Takimoto, director of JFF 2011’s crowd favourite Star Watching Dog.
Any … (read more)