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Phantom: The Submarine (1999)

As political anxiety concerning North Korea’s alleged nuclear weapons program increases in tempo with each new report on Kim Jong-il’s supposed love for the Friday the 13th movies (a logic which seems to be: passion for horror = bad taste = evil tyrant), the thematic situations presented in Phantom become all the more interesting. It is extremely tempting to follow in the story and characterisations an allegory for the North: the connection to Russia (as Stalinist allies), the numbering of … (read more)

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