By way of full disclosure: When Overheard 3 arrived in Australian cinemas and distributor Magnum Films were kind enough to send me a ticket for review, I was worried. I hadn’t seen the first two films, and this is generally a recipe for incomprehensibility as far as the third is concerned. I saw the first installment on iTunes as prep, and then discovered that I needn’t have worried: writer/director duo Alan Mak and Felix Chong have crafted a series of … (read more)
In just under twelve months, I’ve had the good fortune to have watched three superb new release Asian crime movies. In my opinion, they mark a turning point in their respective film cultures. The films are: from India, Gangs of Wasseypur, a very un-Bollywood-like crime saga which chronicles a century long blood feud; the Chinese feature Lethal Hostage from wannabe auteur Cheng Er; and Johnnie To’s first mainland produced and financed cop drama, Drug War. More on the … (read more)
Anyone with an interest in contemporary Hong Kong cinema has seen a film with Felix Chong’s screenwriter-fingerprints all over it, from this year’s Donnie Yen action spectacular (well, one of them!) The Lost Bladesman to the much-lauded Infernal Affairs trilogy. Usually, he works alongside Alan Mak, with whom he shares most of his writing credits, and often it seems that director Andrew Lau’s involved as well.
Not so for Once a Gangster, Chong’s first film as solo director. Years … (read more)
Milkyway Image Films latest Hong Kong release is the classiest and most intelligent film to come from Hong Kong so far this year. Lead actor Louis Koo (Overheard) gives a brilliant performance in Accident and is quickly becoming one of the best screen actors in Asia.
In his debut feature for Milkyway Films, director Soi Cheang (Dog Bite Dog) has tempered his usually dark, violent cinema visions and created a wholly satisfying cerebral crime drama, very … (read more)