I’ll be upfront with you; I’m not going to review Rurouni Kenshin: Kyoto Inferno and Rurouni Kenshin: The Legend Ends separately. Considering how close together their theatrical releases in Japan were, it could be argued they’re just one film with about a month long intermission (if you’re old enough to remember those). Also considering the cliff-hanger Kyoto Inferno ends on Empire Strikes Back style I’d also run a much bigger risk of spoiling far too many things if I … (read more)
The Nordic premiere of Harlock: Space Pirate at the last Stockholm International Film Festival packed a full house. This futuristic, intergalactic pirate caper, set around the turn of the 3rd millennium, finds the infamous and (thought-to-be) immortal Captain Harlock (Shun Oguri) commandeering the mysterious spaceship Arcadia, the last of its kind and powered by dark matter — a self-generating energy based substance that comes in pretty handy in spaceship battle damage predicaments.
Earth has been declared a sanctuary in this … (read more)
When Gus Van Sant remade Alfred Hitchcock’s slasher masterpiece Psycho in 1998, I have to admit to a certain level of bemusement. Why, when the original film was perfect in both pitch and execution, would anyone anywhere feel the need to remake it almost shot for shot? It seemed like an exercise in redundancy and in the end I walked away from that film with the only opinion that made sense to me — Van Sant was such a Hitchcock … (read more)