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Andy Lau conceived this film as an antidote to the general spiritual malaise that swept the world in the wake of the World Trade Centre bombings: it went together fast, and was intended to make people in Hong Kong smile and feel good again. Andy himself was stuck in Toronto, having gone there with Johnnie To to promote Fulltime Killer, and didn’t make it to Australia in time for the Melbourne concert to which I had a damn good … (read more)