In just under twelve months, I’ve had the good fortune to have watched three superb new release Asian crime movies. In my opinion, they mark a turning point in their respective film cultures. The films are: from India, Gangs of Wasseypur, a very un-Bollywood-like crime saga which chronicles a century long blood feud; the Chinese feature Lethal Hostage from wannabe auteur Cheng Er; and Johnnie To’s first mainland produced and financed cop drama, Drug War. More on the … (read more)
Recently I watched Monsters, Gareth Edwards’ reasonably low-budget sci-fi and romance flick. Getting over the being-bashed-on-the-head subtext about racial inequality and the U.S.’ view of the poor and foreigners alike as ‘alien’, the film has a very gorgeous sense of cinematography. The landscapes are verdant, the cityscapes alive, rusted, and full of movement. Edwards’ film captures beautiful moments with economy and subtlety.
Why mention this? Because unfortunately the very next film I watched, immediately afterwards, was this film, Ip … (read more)