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Master (2016)

(from , dir: )

It’s a sign of the times: the financial thriller is officially a thing. It wasn’t so long ago that thrillers were dominated by communist infiltrators or spies, old fashioned corrupt cops, bank robbers, and garden-variety psycho killers. But as chatter of wealth inequality gets louder, globalisation continues to fail and the one percent closes ranks, the Big Bad du jour is increasingly the Wall Street banker or multinational CEO. As a ‘genre’, the financial thriller has been around in book … (read more)

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Duelist (2005)

(from , dir: )

It’s rare to see a film that fetishises the male lead as this one does. Plenty of films do it for the female lead, by giving her lighting and camera angles that make her more alluring, or writing a character free of flaws yet still intriguing. But this time, it’s the man: an assassin known only as “Sad Eyes”.

This might sound odd, but if you watch the film you’ll see what I mean. A mysterious character clad all in … (read more)

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