It’s rare to see a film that fetishises the male lead as this one does. Plenty of films do it for the female lead, by giving her lighting and camera angles that make her more alluring, or writing a character free of flaws yet still intriguing. But this time, it’s the man: an assassin known only as “Sad Eyes”.
This might sound odd, but if you watch the film you’ll see what I mean. A mysterious character clad all in … (read more)
I sat down to this one with Mark’s comments ringing in my ears (or at least on my retinas, said comments being encapsulated in an email). And you know how it is when somebody waxes lyrical about a film: first you get excited, then you get dubious, and finally you get a bit blase. So there I was, curling up with a highly-recommended Korean actioner and two cats ( my film review colleagues) preparing to be disappointed.
And man, it … (read more)