Car movies are hot right now. We’ve had more Fast and the Furious films than really ought to exist (believe it or not, the sixth is in production) and Nicolas Winding Refn’s Drive won over last year’s Cannes audiences and critics; there’s an undeniable appeal to these stories, whether they’re about gangs of thrill-seeking speedsters or the archetypal getaway driver on a job gone wrong.
The latter in particular is a great fit for the Milkyway Image house style, actually. … (read more)
After following reckless and ruthless triad bosses across Hong Kong and China in Election and its sequel, Johnnie To returns to the perspective of the heroic underling as well as to the celebrated story dimension of 1999’s The Mission, one of the major highlights of his prolific career.
Exiled is neither a direct sequel or prequel to The Mission, but rather an interplay of similarities and divergences from the earlier film’s plot, themes, characters and stylistic approach. … (read more)
This is nothing more nor less than a promotional effort for The Twins, that ebullient Cantopop duo made up of Gillian Cheung and Charlene Choi. But for all that, it’s not a bad piece of froth, provided you disengage your brain while you watch.
One of the highlights, for cinema aficionados, is the presence of the consummate actor Anthony Wong. Although he has a reputation for sleepwalking through roles which fail to engage his interest, here he adds sparkle as … (read more)
Horror Hotline’s big head monster is a deformed infant, abandoned at birth, described in the dialogue as having seven or eight eyes, a head as big as a rubbish bin and a body the size of a three year-old boy! Unfortunately, we never get to verify this information. The monster appears just once, and then only in the form of an apparition: imagine the ‘floating-foetus’ image from the end of 2001: A Space Odyssey but enlarge the shape of … (read more)