Mad Monkey Kung Fu is another of director Lau Kar Leung’s classics from his Shaw Brothers heyday. 1979 also saw the release of his top notch hoe-down Dirty Ho, but this time we get to see him act in his own film as well. Having put mantis style to celluloid the year before with Shaolin Mantis, Lau brings another animal to the party here and it’s barrels of fun all round.
The film opens with a prologue of … (read more)
The Shaolin Temple trio of films left a strong cultural impression. They brought Jet Li to the big screen, as one of several members of the Chinese national wushu team brought on board to execute the impressive choreography. They also featured extensive shooting at the temple itself, lending a real sense of history to proceedings. These combined factors brought about something of a renaissance for the Shaolin temple at the time and its martial arts tradition. The first two films … (read more)
As the Shaw Brothers film studio business was winding down, resulting in an output of lesser quality than the preceding decades, The Eight Diagram Pole Fighter burst forth, a bellowing send-off for both a voluminous cycle of movies and a star who died too young. Bursting with vigour and capturing much of what made the studio and director famous, it never settles for imitating the past, still refining techniques and pushing new ideas.
This is not immediately evident as the … (read more)
Dirty Ho‘s title may inspire sniggering from the back of the class, nowadays, but it’s a very different film than you’d think: the film does open inside a brothel (a floating one, no less!), but the Ho of the title is a male thief and kungfu practitioner (played by Wong Yue), and his dirtiness is conferred by a poisoned wound he receives early in the film. So, if you’re after something more like The Golden Lotus, I’d suggest … (read more)
Everything about this in-name-only sequel to Tiger on the Beat feels second rate, but for some reason I found it enjoyable — well kinda. Most of the original cast members return in slightly different roles, the bonus being that Conan Lee can fight Gordon Liu again (though it’s not a patch on their first effort). This is real B grade stuff; it looks like it was reeled off pretty quickly without much care for the end result. Also, for an … (read more)
Tiger On The Beat is a pretty routine Hong Kong take on the American buddy cop genre. Lau Kar Leung must have been strangely out of sorts when he made this — the bloody action and crude comedy seems more akin to Wong Jing than the director that brought us The 36 Chambers of Shaolin. Perhaps he simply feels more comfortable in the martial arts world of old.
Conan Lee doesn’t make much of an impression in the lead … (read more)
Arguably the best film director for traditional style kung-fu action, Liu Chia-liang (a.k.a. Lau Kar-leung) was a pioneer in exploring authentic martial arts technique and training procedures in kung-fu films. So although David Chiang is a kung-fu veteran, it’s no wonder that in The Shaolin Mantis, where he plays a man who learns martial arts from a praying mantis then seeks revenge for his wife’s death, the movie features some of his best kung-fu fights to date. — (from … (read more)