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11.9.01 SEPTEMBER 11 (2002)

Too often, we see ‘art’ (in the very loosest sense of the word) in the service of the state: film as propaganda has been with us as long as moviemaking. The likes of Black Hawk Down pitch the idealistic self-image of the world’s only hyperpower as truth, pretending to chronicle real events in a credible way. And even if we don’t all recognise propaganda when we see it, we know that it exists.

Art (in a stricter sense) in the … (read more)

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