Welcome to Twilight Zone Central Hospital. From the first few moments, it’s clear that this isn’t going to be your average horror film set in your average hospital. The staff haven’t been paid, nurses are quitting in droves, everyone’s working extended shifts and then some, the hospital’s buying new equipment but not technical staff to operate it, and the director’s apparently headed off to parts unknown. Put that together with corridors that look like the typical spooky basement set, complete … (read more)
I’ll declare myself right away, at the risk of making some enemies: Tokyo Drifter is what Cowboy Bebop aspires to be. Since I’m in Adelaide, a safe distance from Deni’s wrath, I’ll continue.
First, the hero, Tetsu the Phoenix: lordy lordy, what a man. Powder blue suit, white buckskin shoes, and the ultra-cool demeanour of one who knows he’s got the entire female population in the palm of his hand and doesn’t care. A matinee idol with the high cheekbones, … (read more)
Thought Japanese schoolgirls were cute? Think again. This one leaves a trail of corpses in her wake, although strictly speaking, it’s not her fault: boys get so enamoured of her that they fight over her. And die, of course. Thinning the competition, that’s the ticket.
This was a surprisingly enjoyable flick, given that it was made on a fairly low budget with bugger-all special effects. This is mainly due to the actress playing Tomie: the talented Miho Kanno, star of … (read more)
I have an absolute argument-winner: the next time someone tries to dispute that Japanese filmmakers are weird, I can show them Tetsuo. Then, after I’ve revived them and stopped them gibbering, they’ll have to admit that yes, I’m right, and yes, Japanese filmmakers come from another planet. The film damn near sucked out my brain like a whelk.
If you make it as far as the salaryman being pursued through the train station by a secretary who’s unnacountably turning … (read more)
It seems that every time I mentioned that I’d seen Kitano Takeshi’s latest effort and liked it, someone said “You must be the only one!” I’d then have to point out that no, I wasn’t the only one, and if they’d seen it themselves they’d be able to offer an informed opinion. ‘Twas an education for me in how rumours get started.
So let’s deal with my impression of Dolls. Tearing into the bad stuff first, it did drag … (read more)
Eyeliner. Some men can wear it, and some men really just shouldn’t. I mentioned this at the very top of the review because, if you watch Shadowless Sword, you’ll be able to see how this rule applies to about half the actors in Korea.
That’s not to say that you won’t enjoy it. There’s a lot of sword-waving, swash-buckling, high kicks, and all the other staples of historical adventure fantasy. But the eyeliner can be a mite distracting. It’s … (read more)
The synopsis basically describes the whole movie, apart from the fact that this film was apparently intended as a short, music video-style, offering. Well, like Topsy, it grew.
Not much can be said about it. If you like V6, as did the screaming hordes of girly-fans at the premiere I attended, then you’ll find it rivetting. If you like lots of fast car action, you might like it as well. It’s not the best of Sabu’s work: there’s a near-repetition … (read more)