Chin Kar Lok is one of those hard yakka performers the Hong Kong and Chinese film industries have relied on over the years and I have a lot of time for his work. A stunt veteran and background character for much of the 80s and 90s (e.g. Millionaires Express) with an occasional lead role (e.g. The Scorpion King), for the last decade or so he has been more of a character actor (e.g. Cold War). He only … (read more)
No, not that Scorpion King. Erase the horrifying CGI amalgam of The Rock’s head on a scorpion’s body and the still-running franchise that it became from mind. This Scorpion King is way more interesting to watch. First glimpsed by a school kid through a window at night, he’s ever-ready to spring to the defence of his disabled father with his superlative martial skills and distinctive scorpion-style moves. Hero material. Except his father is a lecherous slave trader and the … (read more)
For a film industry that thrives on sequels, Jackie Chan made relatively few in his Hong Kong heyday. Police Story 2 is the first sequel in his longest running — at least in name — series, currently six films long as of Police Story: Lockdown and one spin-off strong with the Michelle Yeoh-starring Project S / Supercop 2.
It took the Marvel superhero franchise years to address the issue of collateral damage caused by its heroes’ actions, but Police … (read more)
Jackie Chan has been making forays into more dramatic acting in the last few years — there were early attempts like Crime Story and Thunderbolt, and in the last few years we’ve had New Police Story and The Myth as well. But these have still been identifiably Jackie Chan movies — grueling stunts, inventive high-impact fight choreography, Jackie front-and-centre as the hero.
I didn’t think it very likely that we’d get one of those from director Derek Yee, though. … (read more)
You might not think a lot can happen in one night, but then maybe you’ve never been to Mongkok, Hong Kong’s most densely populated area. At the heart of Derek Yee’s 2004 film One Nite in Mongkok is a city that never sleeps, that has so many streets and alleys and lanes and buildings and people, it might be more prudent to think that everything can happen. In an interesting departure from type, the director builds a suspenseful and refreshingly … (read more)