After the runaway success of Death Note: The Last Name, and in particular, the impression Keniichi Matsuyama made on the world as L, the young, quirky uber-sleuth who plays God to Light’s devil, it was perhaps not such a surprise that an offshoot movie was almost instantly on the cards. Not only is it an offshoot however, but L: Change the World cleverly fills in the blanks from the twist ending of The Last Name, and nicely fleshes … (read more)
I had a difficult time reviewing this one. Why? For starters, writer’s block. The words didn’t come to mind to properly describe the experience easily. Secondly it is a little bit unconventional in that it’s not actually a film from our neighbors from the north. It’s an episode of a cable television series, from the USA — the Masters of Horror series. So why is there a review being written for it? This question brings me to the hardest thing … (read more)
“…an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.”
— The Age of Innocence
I couldn’t help but think of Edith Wharton’s witty summary of 19th century opera society as I watched Memoirs of a Geisha. Hollywood’s oriental-chic movie of the year is based on a novel narrated by a Japanese geisha, but written by … (read more)
This driven anime rips steel through flesh in the first few moments and doesn’t let up for the next 47. God bless it.
The first fully digital animation from Production IG, Blood the Last Vampire is a stylistic experiment in using 3D rendered backgrounds with 2D characters. A camera pass is rendered through the backgrounds and the animation and lighting is matched – the result not only works, it is crisp and gorgeous, particularly on DVD (albeit a dark, brooding … (read more)