It’s been a decade since Aaron Kwok and Ekin Cheng starred as Cloud and Wind respectively for Andrew Lau’s adaptation of Ma Wing-shing’s popular The Storm Riders (1998). Released on the cusp of the Hong Kong industry’s virtual collapse, it was a hit that set the digital standard for filmmaking in the SAR for years to come. It was also one of the last big, all-star epics from that period to find a cult following overseas.
So what’s changed, what’s … (read more)
Just as a certain satirical spy film reminded us to ‘remember the henchmen’, the Pang Brothers return and asks of us to think of ideas otherwise discarded. If a writer can breathe life and soul into a character and a world, what happens when they throw an idea away? Can an author be haunted by creations otherwise left undeveloped and what responsibility does a creator have to their creations?
Will I stop asking these questions and get on with whether … (read more)
Another entrant in the done-to-death ‘I see ghosts’ sub-genre of Asian horror, and it faces some tough obstacles. We’ve already been bombarded by so many films of this kind that, by now, the appearance of a pallid presence evokes nothing more than a yawn. Oh, yeah, another dead person. Where’s the fun in that?
Two words. Angelica Lee. She carried this film. I hear Hsu Chi is in the sequel but the only thing you can be sure of is her hair will look great in it. Anyways I’m digressing. So what is the film like? Well, very creepy indeed — in the goosebumps-raising, arm-chair gripping, eyes-rivetted and teeth-grinding way. And the ocassional jump [if you’re a wuss like me]. In short, it’s good.
Mun [Angelica Lee] has been blind since young and after … (read more)