- Midnight (2021)
- Magnificent Warriors (1987)
- Odd Couple (1979)
- Three (2016)
- Dreadnaught (1981)
- Decision to Leave (2022)
- Once Upon a Time in China & America (1997)
- Bad Guy
- Dali & Cocky Prince
- A Korean Odyssey
- Special Delivery (2022)
- My Girlfriend Is A Gumiho
- Strong Girl Bong Soon
- The Master’s Sun
It’s not that I live on a diet of serial killer movies and thriller novels. I did read Silence of the Lambs once, so I would never consider myself an expert, but for some reason – maybe the title, or maybe the fact that plenty of other Kiyoshi Kurosawa films (like Retribution and Real to name just a couple) have been fairly hair-raising – I did in all honesty expect this 2016 murder thriller Creepy to be far creepier. … (read more)
Reminiscent of a Shinya Tsukimoto film, where reality is not always quite as stable as one would like, Kiyoshi Kurosawa’s Real similarly deals with the delineations between reality and fantasy, and subsequently life and death. Mildly creepy, this somnambulistic thriller packs a few small punches but for the most part fails to get its heart rate above resting.
I’m gonna start this review with a little literary diversion. Sometime fantasist John Crowley wrote a book a few years back entitled Aegypt. The title was a deliberate displacement, taking an archaic spelling of Egypt and infusing that name with a mythic, alternate reality. By the same token the film Pulse is also known as Kairo.
Now this is not a deliberate thing, of course, Kairo being Japanese for ‘circuit’ — bear with me here — but it … (read more)
Everyone needs a goal in life, and that of Mamoru (played by the very tasty Asano Tadanobu) is to adapt his red medusa jellyfish to fresh water and set it free. A lovely goal, except for the fact that the things are highly poisonous, and he wants to liberate his in the waterways of Tokyo.
But despite what the director says, this is not a monster film. There are no giant red jellyfish lurching out of the canals to menace … (read more)