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Infernal Affairs III (2003)
My expectations for Infernal Affairs 3 were not high. Infernal Affairs 2 had proved to be little more than a lazy attempt to ‘cash in’ on the (deserved) success of the first film by inexplicably substituting the original’s too-cool style for some bland direction and stupid story choices, and there seemed little reason to think IA 3 would be any different.
Well, at least this time Andrew Lau and Alan Mak have made something that can be described as a … (read more)
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Infernal Affairs II (2003)
Infernal Affairs 2, as the second act of the trilogy, starts the race with a handicap. Second acts are traditionally more down beat and less popular they either the first or third acts. Also, it follows up the enormously popular first part of the series, starring two of Hong Kong’s most popular A list actors. Nonetheless, it’s still a good film in its own right.
This is partly because the cast includes some seriously good dramatic actors, such as … (read more)
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Illicit Desire (1973)
Illicit Desire is another erotic costume drama from Li Han Hsiang, and the third from him that I’ve seen so far that is (at least partly) an adaptation from the same source — The Golden Lotus, as seen also in (unsurprisingly) The Golden Lotus and The Tiger Killer. He even uses some of the same actors, with Tanny Tien Ni, Hu Chin and Chen Ping also in this one.
This film’s a little different, though. It’s essentially three … (read more)
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Dragon Tiger Gate (2006)
‘BIF! KA-POW! CRASH!’
This is the comic book aesthetic viewed so fondly in retrospectives of those formative, younger years. Colourful garb and improbable science dominated those moments in the school yard in between those regularly scheduled beatings from the schoolyard bullies.
Such sentimental attachment brings a welling of emotion from within whenever there is a cinematic realisation of scenes previously locked in poses by the constraints of paper and ink — even in adaptations of source material that is otherwise … (read more)
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Fulltime Killer (2001)
It seems being a housekeeper in HK comes with a few hazards. If you’re like Chin (Kelly Lin) you can end up being love target between not one but two of Asia’s top professional killers, O (Takashi Sorimachi) and Tok (Andy Lau). [Depending on how you look at it, it may not be a bad thing!] O is Asia’s top assassin and Tok would like to see himself wear that title instead. Chin, O’s housekeeper/cleaner becomes an unwitting (this point … (read more)
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Enter the Dragon (1973)
I love Enter the Dragon. I love everything about it. Critical distance? I think not. This is a film I feel particularly strongly about, and one I refuse to discuss in a removed manner. I love Bruce Lee. I love Bruce Lee’s performance. No matter what anyone says, Lee is not just a fighter – he’s also a fine actor and a snappy dresser. I love Lalo Schiffrin’s score – it really is too cool for words. I love … (read more)
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The Eye 2 (2004)
Another entrant in the done-to-death ‘I see ghosts’ sub-genre of Asian horror, and it faces some tough obstacles. We’ve already been bombarded by so many films of this kind that, by now, the appearance of a pallid presence evokes nothing more than a yawn. Oh, yeah, another dead person. Where’s the fun in that?
And there have been some fine films in this genre, such as the original The Eye, the tense Thai film Shutter, and the lavishly … (read more)
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