Blog Archives

Death Trance (2005)

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There’s an awful lot of biffo in ‘Death Trance’, which is to be expected from the Yuki Shimomura, the action director of the barking mad Versus making his directorial debut here.

And that’s pretty much the point of the film — there’s not too much interference from that pesky plot stuff. In fact, at one point, Grave, the vaguely androgynous anti-hero of the film, gets an explanation of back story from Ryuen (Takamasa Suga), the temple monk sent after him … (read more)

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Gun X Sword (2006)

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Gun X Sword creates a sense of unease right from the get go. Its hero Van’s (literal) Puritan attire of uncocked, felt hat and black longcoat seem to be cast offs from Vampire Hunter D. The hand-me-downs don’t end there. Van is not only a dead-ringer for Cowboy Bebop’s Spike but his personality is a facsimile right down to his melancholy indifference to the world around him. Finally, Gun X Sword’s setting, the planet Endless Illusion, is a futuristic … (read more)

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Gilgamesh (2003)

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Long has mythology and history inspired anime. Remember Studio Pierrot’s Mysterious Cities of Gold back in the 80’s, where ancient South American technology was set against the backdrop of a boy’s search for his father? Or how about something from more recent memory, like Rah Xephon for example, where oracles and obscure references to the Greek arts take centre stage? Even the epic Neon Genesis Evangelion could be said to draw upon aspects of religious mythology, making a good argument … (read more)

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Fafner (2006)

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With teen mecha pilots, huge glowing celestial enemies and poly-mythological naming conventions with a leaning toward the Norse and the sturm und drang of Wagner’s Ring cycle, Fafner doesn’t so much wear its influences on its sleeve as tailor a whole leisure suit out of them.

What Fafner may lack in concept originality, it certainly makes up for with intrigue. The first volume works hard to set up an array of mysteries that pretty much indicate there aren’t one or … (read more)

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Ergo Proxy (2006)

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Themes highlighting and questioning identity – and by associated extremes, reality itself – are hardly rare in anime but rarely has any series attempted to take the identity crisis to the levels that Manglobe production Ergo Proxy manages. And probably, that sounds like a criticism. Well, it is, and it isn’t.

Ergo Proxy is its own paradox: an obscure and demanding story in some respects, more puzzle than entertainment. Yet it’s also inarguably engaging; a love story, a journey, part … (read more)

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Lupin the Third: Castle Of Cagliostro (1979)

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Before commencing a period of activity that – from Nausicaa to the present – has so far given us a dozen or so of the greatest animated movies we’re ever likely to see, Hayao Miyazaki and his future Studio Ghibli colleagues completed this second animated feature in the Lupin III franchise.

A thrills and spills adventure movie with a touch of romance, dash of intrigue and liberal spread of action, Castle of Cagliostro stands as great an achievement in a … (read more)

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Hana (2006)

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Hirokazu Kore-eda’s latest work, and his first foray into the period piece, is one of those films that before you see it, you find yourself wondering: what on earth could a semi-realist director best known for emotionally honest documentary style films do with the samurai genre? How will his organic style show through? How will he achieve the unexpected charm and humour that is such a strong characteristic in all his films to date no matter what the content?

But … (read more)

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Tomie 3: Rebirth (2001)

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Well, there’s a thing: a Tomie movie with a plot! And I have to say it’s not at all bad, despite being made on a budget that would make a grown director weep.

Perhaps some of this giddy enthusiasm comes from having sat through the interminable Tomie 2. Sheer relief at not being faced with another whey-face, smirking teen queen may have led me to see this one as better than it is. Or perhaps it’s because some of … (read more)

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