Dersu Uzala (1974)

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This is an interesting film. Akira Kurosawa is one of cinema’s most impressive directors, and I’ve a tendency to dribble superlatives when writing about him — my apologies. In any case, you will (or should) know him as the director responsible for The Seven Samurai, Ran, Sanjuro, and many other well-known Japanese films. Most of the films he is famous for are shot in Japan and often set in feudal Japan, telling tales of the samurai and … (read more)

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Dating Death (2004)

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Ah, Hong Kong fashion! I see about a half-dozen Canto-language teen flicks a year, and although they often tend to be more bad than good, I always look forward to the opportunity they provide to catch up on what’s hot on the streets of HK at the time of production. Dating Death proved to be particularly helpful in this regard, with every one of the six main characters getting about ten costume changes (including towels) — each new ‘ensemble’ trendier … (read more)

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Deadly Outlaw Rekka (2002)

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Takashi Miike is the quintessential maverick film maker who just happens to have made a number of films about quintessentially maverick psychos. There is, no doubt, a connection, but Deadly Outlaw Rekka, for all its occasional bent humour and oddities, is actually one of Miike’s more straight forward efforts.

Like much of Miike’s yakuza work the film opens in a blaze of violence. We watch a series of fast seemingly unrelated cuts which jump in time but mainly focus … (read more)

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Café Lumiere (2003)

Hou Hsaio-hsien’s Café Lumiere, his plaintive tribute to the incomparable Yasujiro Ozu, is certainly sure to piss off large sections of its audience. I had the curious experience of seeing it with quite a big audience at the Melbourne International Film Festival, and much of this crowd was comprised of people who were only there to ensure themselves good seats for the next session in that cinema: Kung Fu Hustle, introduced live by Stephen Chow himself. Needless to … (read more)

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Citizen Dog (2005)

With its visceral imagery and child-like imagination, Wisit Sasanatieng’s new film Citizen Dog proves him to be Thailand’s answer to Tim Burton and Jean Pierre Jeunet. Sasanatieng has once again pushed the limits of popular imagery, as he did in 2000 with Tears of the Black Tiger. However, Citizen Dog has taken a positive new direction — its modern day setting and forceful social commentary give it a real focus and meaning that Tears of the Black Tiger seemed … (read more)

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Challenge Of The Masters (1976)

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I’ve been watching mostly Shaw Brothers films for the last couple of weeks, digging through some lesser-known stuff looking for the glint of gold. Unfortunately, I didn’t see anything all that good: sure, there were nice sets and costumes in some, and some interesting comedic characters… but most of what I’ve seen recently has felt sloppy and empty for the most part, not developing characters I cared about and occasionally presenting slow, creaky action scenes that looked like pantomimes.

So, … (read more)

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Chicken and Duck Talk (1988)

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Chicken And Duck Talk is justly famous in the history of Hong Kong films. It’s well-made, it was a fresh look at ordinary urban Hong Kongers, and it’s funny. Still. Despite some of the background looking a tad dated, the message and the comedy still shine.

Michael Hui, the creative talent behind this and other films, gives us a lot to think about. There’s the struggle of ordinary people against the chain stores that are pushing neighbourhood stores out of … (read more)

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Chinese Odyssey 2002 (2002)

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Remember Chinese New Year 2002? I know for some going back two whole years might be a bit of strain but let me help you: an unprecendented three [count ’em!] Chinese New Year comedies came out battling for the top spot. Chinese Odyssey 2002, Marry A Rich Man and Fat Choi Spirit. Although the idea of Tony Leung and Faye Wong being lovers in a period comedy lost in the box office stakes to Andy playing mahjong and … (read more)

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